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Take It to the Limit (Live at The Forum, Los Angeles, CA, 10/20-22/1976) (2018 Remaster) · Eagles

Legacy

℗ 2018, 1980 Asylum Records.

Engineer: Allan Blazek
Remastering Engineer: Bernie Grundman
Engineer: Biff Dawes
Mixing Engineer: Bill Szymczyk
Engineer: Billy Youdelman
Engineer: Buddy Thornton
Producer: Dave Henley
Assistant Engineer: Dennis Mays
Guitar: Don Felder
Backing Vocals: Don Felder
Drums: Don Henley
Backing Vocals: Don Henley
Piano: Glenn Frey
Backing Vocals: Glenn Frey
Guitar: Jage Jackson
Assistant Engineer: Jay Parti
Mixing Engineer: Jeff Balding
String Arranger: Jim Ed Norman
Strings Conductor: Jim Ed Norman
Assistant Engineer: Jimmy Patterson
Guitar: Joe Walsh
Backing Vocals: Joe Walsh
Engineer: Kelly Kotera
Additional Engineer: Matt Coles
Assistant Engineer: Phil MacConnel
Bass Guitar: Randy Meisner
Lead Vocals: Randy Meisner
Producer: Richard F.W. Davis
Recording: The Record Plant L.A.
Additional Engineer: Zach Johnson
Writer: Don Henley
Writer: Glenn Frey
Writer: Randy Meisner

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Lyin' Eyes (2018 Remaster) · Eagles

Legacy

℗ 2018, 1975 Asylum Records.

Engineer: Allan Blazek
Remastering Engineer: Bernie Grundman
Lead Guitar: Bernie Leadon
Mixing Engineer: Bill Szymczyk
Producer: Bill Szymczyk
Guitar: Don Felder
Drums: Don Henley
Engineer: Don Wood
Engineer: Ed Mashal
Lead Guitar: Glenn Frey
Lead Vocals: Glenn Frey
Piano: Jim Ed Norman
Engineer: Michael Braunstein
Engineer: Michael Verdick
Bass Guitar: Randy Meisner
Composer, Writer: Don Henley
Composer, Writer: Glenn Frey

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The Best of My Love (2013 Remaster) · Eagles

Legacy

℗ 1974 Elektra/Asylum Records

Remastering Engineer: Bernie Grundman
Pedal Steel Guitar: Bernie Leadon
Backing Vocals: Bernie Leadon
Engineer: Bill Szymczyk
Drums: Don Henley
Lead Vocals: Don Henley
12 String Guitar: Glenn Frey
Backing Vocals: Glenn Frey
Recording Engineer: Glyn Johns
Producer: Glyn Johns
Bass Guitar: Randy Meisner
Backing Vocals: Randy Meisner
Assistant Engineer: Rob Thaer
Writer: Don Henley
Writer: Glenn Frey
Writer: J. D. Souther

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Desperado (2013 Remaster) · Eagles

Legacy

℗ 1973 Asylum Records

Remastering Engineer: Bernie Grundman
Banjo, Dobro, Guitar, Mandolin: Bernie Leadon
Acoustic Guitar: Bernie Leadon
Electric Guitar: Bernie Leadon
Drums: Don Henley
Acoustic Guitar: Don Henley
Lead Vocals: Don Henley
Guitar, Harmonica, Keyboards, Vocals: Glenn Frey
Acoustic Guitar: Glenn Frey
Electric Guitar: Glenn Frey
Engineer, Producer: Glyn Johns
Assistant Engineer: Howard Kilgour
String Arranger: Jim Ed Norman
Bass Guitar: Randy Meisner
Vocals: Randy Meisner
Writer: Don Henley
Writer: Glenn Frey

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Lyin' Eyes (2013 Remaster) · Eagles

Legacy

℗ 1975 Elektra/Asylum Records.

Engineer: Allan Blazek
Remastering Engineer: Bernie Grundman
Lead Guitar: Bernie Leadon
Mixing Engineer: Bill Szymczyk
Producer: Bill Szymczyk
Guitar: Don Felder
Drums: Don Henley
Engineer: Don Wood
Engineer: Ed Mashal
Lead Guitar: Glenn Frey
Lead Vocals: Glenn Frey
Piano: Jim Ed Norman
Engineer: Michael Braunstein
Engineer: Michael Verdick
Bass Guitar: Randy Meisner
Writer: Don Henley
Writer: Glenn Frey

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Eagles - Lying Eyes Lyrics

City girls just seem to find out early
How to open doors with just a smile
A rich old man
And she won't have to worry
She'll dress up all in lace and go in style
Late at night a big old house gets lonely
I guess ev'ry form of refuge has it's price
And it breaks her heart to think her love is
Only given to a man with hands as cold as ice
So she tells him she must go out for the evening
To comfort an old friend who's feelin' down
But he knows where she's goin' as she's leavin'
She is headed for the cheatin' side of town
You can't hide your lyin' eyes
And your smile is a thin disguise
I thought by now you'd realize
There ain't no way to hide your lyin eyes
On the other side of town a boy is waiting
With fiery eyes and dreams no one could steal
She drives on through the nice anticipating
'Cause he makes her feel the way she used to feel
She rushes to his arms,
They fall together
She whispers that it's only for awhile
She swears that soon she'll be comin' back forever
She pulls away and leaves him with a smile
You can't hid your lyin' eyes
And your smile is a thin disguise
I thought by now you'd realize
There ain't now way to hide you lyin' eyes
She gets up and pours herself a strong one
And stares out at the stars up in the sky
Another night, it's gonna be a long one
She draws the shade and hangs her head to cry
She wonders how it ever got this crazy
She thinks about a boy she knew in school
Did she get tired or did she just get lazy?
She's so far gone she feels just like a fool
My, oh my, you sure know how to arrange things
You set it up so well, so carefully
Ain't it funny how your new life didn't change things
You're still the same old girl you used to be
You can't hide your lyin eyes
And your smile is a thin disguise
I thought by now you'd realize
There ain't no way to hide your lyin' eyes
There ain't no way to hide your lyin' eyes
Honey, you can't hide your lyin' eyes

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Take It Easy · Eagles

Take It Easy / Get You in the Mood

℗ 1972 Asylum Records.

Digital Remasterer: Bernie Grundman
Banjo: Bernie Leadon
Lead Guitar: Bernie Leadon
Backing Vocals: Bernie Leadon
Drums: Don Henley
Backing Vocals: Don Henley
Acoustic Guitar: Glenn Frey
Slide Guitar: Glenn Frey
Lead Vocals: Glenn Frey
Engineer, Producer: Glyn Johns
Bass Guitar: Randy Meisner
Backing Vocals: Randy Meisner
Writer: Glenn Frey
Writer: Jackson Browne

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One of These Nights (2018 Remaster) · Eagles

One of These Nights

℗ 2018, 1975 Asylum Records.

Engineer: Allan Blazek
Guitar: Bernie Leadon
Backing Vocals: Bernie Leadon
Mixing Engineer: Bill Szymczyk
Producer: Bill Szymczyk
Lead Guitar: Don Felder
Backing Vocals: Don Felder
Drums: Don Henley
Lead Vocals: Don Henley
Backing Vocals: Don Henley
Engineer: Don Wood
Engineer: Ed Mashal
Guitar, Keyboards: Glenn Frey
Backing Vocals: Glenn Frey
Engineer: Michael Braunstein
Engineer: Michael Verdick
Bass Guitar: Randy Meisner
Backing Vocals: Randy Meisner
Writer: Don Henley
Writer: Glenn Frey

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Hotel California (2013 Remaster) · Eagles

Legacy

℗ 1976 Asylum

Engineer: Allan Blazek
Remastering Engineer: Bernie Grundman
Mixing Engineer: Bill Szymczyk
Producer: Bill Szymczyk
Engineer: Bruce Hensal
Guitar: Don Felder
Solo Guitar: Don Felder
Electric Guitar: Don Felder
Backing Vocals: Don Felder
Drums, Percussion, Vocals: Don Henley
Backing Vocals: Don Henley
Engineer: Ed Mashal
12 String Guitar: Glenn Frey
Vocals: Glenn Frey
String Arranger: Jim Ed Norman
Conductor: Jim Ed Norman
Guitar: Joe Walsh
Solo Guitar: Joe Walsh
Backing Vocals: Joe Walsh
Bass Guitar: Randy Meisner
Backing Vocals: Randy Meisner
Concert Master Conductor: Sid Sharp
Writer: Don Felder
Writer: Don Henley
Writer: Glenn Frey

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I'll tell ya what, if you've someone that loves you and you love them, you had better be thanking someone, whether or not it's the moon, I can't tell you, but I think I'd add a prayer or two, enjoy this excellent tune, Dave :0)

One of the classic vocal groups from the first generation of rock’n’roll, the Crests were formed on the Lower East Side of Manhattan in the mid-1950s. Originally, the group consisted of two African-American teenagers (J. T. Carter and Tommy Gough), one member of Puerto Rican descent (Harold Torres), a black female (Patricia Vandross), and an Italian-American (John Mastrangelo). The group’s first release, “My Juanita”, issued on the small Joyce label, became a national hit. In 1958, the group signed on with Coed Records. Pat ultimately had to drop out when her mother refused to let her tour with the group to promote their releases.
Featuring Maestro’s dynamic lead voice, the Crests scored ten national hits in a row including “16 Candles”, “Six Nights A Week”, “The Angels Listened In”, “Step By Step”, “Trouble In Paradise”, and “Isn’t It Amazing”, before Johnny left to embark on a solo career. The reorganized Crests and Maestro recorded with limited success until Johnny and the Del Satins formed the Brooklyn Bridge in 1968 and hit with “The Worst That Could Happen”, “Welcome Me Love”, and “Blessed Is The Rain”. J. T. Carter was the mainstay of the Crests and kept the group active as a trio, performing with James Ancrum, who had replaced Maestro as lead singer in 1961, and Gary K. Lewis, who would later work with Charlie Thomas’ Drifters and the Cadillacs. This trio continued on until 1978. A popular and long-running series of revival concerts held at the Academy of Music in New York brought dozens of pioneering artists back to the stage, beginning in 1970. The producers first persuaded Johnny Maestro and J. T. Carter’s Crests to perform together in November of 1971. No less than six additional reunion shows followed over the next few years at the Academy of Music. At least one other took place in Boston in 1972. For the record, the four original male members of the group performed one special reunion show in Peekskill, New York, in 1987. Throughout this entire span, Johnny also led the Brooklyn Bridge as they performed across the country.
Beginning in the early 1970s, Boston-area disc jockey, concert host and producer, historian and enthusiast, Little Walter DeVenne began documenting the pioneers of vocal group harmony, rhythm and blues, and rock and roll using Super 8 movie film, reel to reel tape recorders, and whatever means were available to him. Concerts in New York, Massachusetts, New Hampshire and other locations were preserved. Sadly, Walter died in 2021, and the films were feared lost or destroyed. Through the efforts of Walter’s friend and longtime disc jockey, Mike Bollea, many of these recordings have been preserved.
Through Mike’s generosity and a desire to see Walter’s historic films shared with fans and devotees of this music, we present the Little Walter’s Time Machine Official Archives series, remixed and synched by Todd Baptista, from the original source material.
At the 17th Original Rock& Roll Show, held at the Academy of Music on East 14th Street in New York City on June 22, 1974, Johnny Maestro and the Crests shared the bill with the Flamingos, Monotones, Dubs, Mystics, Diamonds, Cleftones, Larry Chance and the Earls, and Dee Clark. Walter’s color film of the Crests' performance is approximately 15 minutes in total and contains complete performances of “Trouble In Paradise”, “Six Nights A Week”, “The Angels Listened In”, “16 Candles”, and “Step By Step”. Johnny Maestro is joined by J. T. Carter, James Ancrum (the original lead of the Crests' "Little Miracles"), and Gary K. Lewis. Bobby Jay is also briefly shown at the end as emcee. Copying, reuploading, distributing, selling, or any unauthorized use is strictly prohibited.