Das Duett von Bonnie Tyler und Ben Zucker aus der Show Schlagerboom 2017. Die schönsten Hits, emotional performt und völlig neu interpretiert. Einfach schön anzuhören und auch anzusehen.
Bonnie Tyler ist 2018 auf großer Deutschland-Tournee unterwegs. Tickets und Info gibts hier:

Official remastered HD video for 'It's A Heartache' by Bonnie Tyler.

Released in 1978, It's A Heartache was a global smash hitting number one in Australia, Canada, Finland, France, Norway, Spain, Sweden, Brazil and Argentina and number four in the UK, number three in the US and number 2 in Germany. Along the way it sold 6 million physical copies worldwide (including a million in France and the US and 1/2 a million in the UK).

The song has been covered many times by a diverse list of artists including Rod Stewart, David Johanson (of the New York Dolls,), Ronnie Spector of the Ronettes, Glaswegian Indiepopsters Arab Strap, rocker Gene Vincent and, most recently, pop superstar Miley Cyrus.

Lyrics;

It's a heartache
Nothing but a heartache
Hits you when it's too late
Hits you when you're down
It's a fool's game
Nothing but a fool's game
Standing in the cold rain
Feeling like a clown
It's a heartache
Nothing but a heartache
Love him 'til your arms break
Then he let's you down
It ain't right with love to share
When you find he doesn't care for you
It ain't wise to need someone
As much as I depended on you
Oh, it's a heartache
Nothing but a heartache
Hits you when it's too late
Hits you when you're down
It's a fool's game
Nothing but a fool's game
Standing in the cold rain
Feeling like a clown
It ain't right with love to share
When you find he doesn't care for you
It ain't wise to need someone
As much as I depended on you
Oh, it's a heartache
Nothing but a heartache
You love him 'til your arms break
Then he let's you down
It's a fool's game
Standing in the cold rain
Feelin' like a clown
It's a heartache
Love him 'til your arms break
Then he let's you down
It's a fool's game

Songwriters: Steve Wolfe / Ronnie Scott
It's A Heartache lyrics © Sony/ATV Music Publishing LLC, Universal Music Publishing Group, Budde Music Publishing GmbH

#BonnieTyler #ItsAHeartache #Remastered

⁣SmashHits Live 24/7 music live recorded tv

Johnny Mathis - They Say It's Wonderful. ( HQ )

Copyright Disclaimer Under Section 107 of the Copyright Act 1976,
allowance is made for "fair use" for purposes such as criticism,
comment, news reporting, teaching, scholarship,and research.
Fair use is a use permitted by copyright statute that might otherwise be infringing.
Non-profit, educational or personal use tips the balance in favor of fair use.

Johnny Mathis - How Do You Keep The Music Playing Live HQ

Copyright Disclaimer Under Section 107 of the Copyright Act 1976,
allowance is made for "fair use" for purposes such as criticism,
comment, news reporting, teaching, scholarship,and research.
Fair use is a use permitted by copyright statute that might otherwise be infringing.
Non-profit, educational or personal use tips the balance in favor of fair use.

From the album, Christmas Eve With Johnny Mathis,
released on 07-11-1986. W&M by Irving Berlin & Alfred S. Burt.

"Caroling, Caroling" is a popular Christmas song written by Alfred Burt and Wihla Hutson in 1953. Originally written to accompany a Christmas card, it is one of Alfred Burt's best-loved Christmas carols.

"Happy Holiday" (sometimes performed as "Happy Holidays") is a popular song composed by Irving Berlin during 1942 and published the following year. "Happy Holiday" was introduced by Bing Crosby in the 1942 film Holiday Inn.

Happy holiday (caroling, caroling)
Happy holiday (caroling, caroling)
Holiday, holiday, holiday, to you

Caroling, caroling now we go
Christmas bells are ringing
Caroling, caroling through the snow
Christmas bells are ringing

Joyous voices sweet and clear
Sing the sound of heart to cheer
Ding dong, ding dong
Christmas bells are ringing

Happy holiday, happy holiday

Caroling, caroling through the town
Christmas bells are ringing
Caroling, caroling up and down
Christmas bells are ringing

Mark ye well the song we sing
Gladsome tidings now we bring
Ding dong, ding dong
Christmas bells are ringing

Joyous voices sweet and clear
Sing the sound of heart to cheer
Ding dong, ding dong
Ding dong, ding dong
Ding dong, ding dong
Christmas bells are ringing

Happy Holiday
Happy holiday to you

Happy Holiday
Happy holiday

While the merry bells keep ringing
May your every wish come true

Happy holiday, happy holiday
May the calendar keep bringing
Happy holidays to you

Happy holiday, happy holiday
While the merry bells keep ringing
May your every wish come true

(Caroling, caroling)

Happy holiday, happy holiday
May the calendar keep bringing
Happy holidays to you

(Caroling, caroling)
(Caroling, caroling)

While the merry bells keep ringing
May your every wish come true

Happy holiday, happy holiday
May the calendar keep bringing
Happy holidays to you

(Christmas bells are ringing)

Sound recording administered by:
SME On behalf of: Sony Music
(thanks for allowing this to remain)
"The AUDIO content does not belong to me. I do not profit from these Videos and/or Slideshows. I do not own copyrights of the images, which are from free websites. This is strictly for Educational use and Commentary purposes."
"No copyright is claimed in [the music] and to the extent that material may appear to be infringed, I assert that such alleged infringement is permissible under fair use principles in U.S. copyright laws. If you believe material has been used in an unauthorized manner, please contact the poster."
Copyright Disclaimer--"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."

CD audio, originally issued on Columbia LP 1195 “Merry Christmas” - Winter Wonderland (Smith-Bernard) by Johnny Mathis, orchestra conducted by Percy Faith

The Love Story album from Johnny Mathis is one of his most realized, produced during a decade when he worked with producers ranging from Richard Perry and Jerry Fuller to one of the proponents of the Philly sound, Thom Bell. Here the singer is in a comfortable setting with producer Jack Gold, ably assisted by arranger and conductor Perry Botkin, Jr. a couple of years before Botkin hit with "Nadia's Theme (The Young & the Restless)." Even the front and back cover photos have a different aura, with Mathis dressed in black with a white collar, peering out of an all-black cover and looking deep in thought. His rendition of "(Where Do I Begin) Love Story" is riveting, a sweeping and majestic piece to lead off the record, and not the usual Jack Gold musical movement, but more pronounced and determined. The Top Ten hit, of course, went to Andy Williams in 1971, with Henry Mancini going Top 15 and Francis Lai taking the same title Top 35, all in the same year.

The competition was intense, and maybe that's why the team pulled out all the stops here. They then take Lynn Anderson's 1970 Top Three hit "Rose Garden" and fuse the pop with big band, eliminating whatever elements sent it to number one on the country charts for Anderson. As a pure pop tune, it works very well, a standout performance chock-full of backing vocalists and unique instrumentation. This could have been a hit for Mathis, as it goes beyond the usual formula of "let's put some sweet accompaniment behind the voice and let Johnny do his thing."

"Ten Times Forever More" sweeps in with backing vocalists as if the Ray Conniff Singers suddenly showed up to duet with Johnny. No doubt Perry Botkin Jr. greatly influenced this project. Perry Como's Top Ten nugget "It's Impossible" gets equal time, with the arrangement, production, and backing vocals all stunning. This was a big year for the crooners, and Mathis reinterpreting these new classics was essential. No mere run-throughs, the recording and performances are on par with the hit versions. Robert Mersey steps in to arrange and produce one track, "I Was There," and it does have a different feel to the rest of the album, sounding vocally like Mathis' 1964 Top Ten hit "What Will Mary Say." "What Are You Doing for the Rest of Your Life" closes out a powerful and exhausting side one. The second side goes back to what producer Mitch Miller prescribed for this artist: careful and pleasant versions of "We've Only Just Begun," the Classics IV's "Traces," "For the Good Times," and "My Sweet Lord." George Harrison's number seems like an outtake when compared to the tour de force of side one or even the awe-inspiring Phil Spector/George Harrison production of the original hit. Taking Dennis Yost to task on "Traces" is easy for Mathis, but not bringing in the bells and whistles for "My Sweet Lord" was a mistake given all the attention focused on "Rose Garden" and the tunes at the beginning of the LP.


Where do I begin
To tell the story of how great a love can be
The sweet love story that is older than the sea
The simple truth about the love she brings to me
Where do I start

With her first hello
She gave new meaning to this empty world of mine
There'd never be another love, another time
She came into my life and made the living fine
She fills my heart

She fills my heart with very special things
With angels' songs , with wild imaginings
She fills my soul with so much love
That anywhere I go I'm never lonely
With her around, who could be lonely
I reach for her hand-it's always there

How long does it last
Can love be measured by the hours in a day
I have no answers now but this much I can say
I know I'll need her till the stars all burn away
And she?ll be there

How long does it last
Can love be measured by the hours in a day
I have no answers now but this much I can say
I know I'll need her till the stars all burn away
And she'll be there

"Various Artists-(Where Do I Begin) Love Story", sound recording administered by The Orchard Music, SME
(thanks for allowing this to remain)
"The AUDIO content does not belong to me. I do not profit from these Videos and/or Slideshows. I do not own copyrights of the images, which are from free websites. This is strictly for Educational use and Commentary purposes."

"No copyright is claimed in [the music] and to the extent that material may appear to be infringed, I assert that such alleged infringement is permissible under fair use principles in U.S. copyright laws. If you believe material has been used in an unauthorized manner, please contact the poster."

Copyright Disclaimer--"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."

This is a Classic A & P Christmas Record LP named "Christmas Greetings" Distributed by A&P Supermarkets in the late 60's or early 70's.. I have had this album since then and cherish the memories it brings.

Christmas Greetings - Volume 1
Columbia Special Products
Distributed by A&P Supermarkets
Stereo CSS-1499
RCA Victor Stereo RVS81
Date: Unknown

"Maria" is a song from the Broadway musical West Side Story, sung by the lead character Tony. The music was written by Leonard Bernstein and lyrics by Stephen Sondheim. The song was published in 1956.

"Maria" is sung by the male lead Tony when he learns the name of the girl he's fallen in love with is "Maria". The name "Maria" is spoken or sung in the song 27 times. It begins in B major and then modulates to E-flat major.

Johnny Mathis' version reached #78 on the US Billboard Top 100 in 1961.

Maria
The most beautiful sound I ever heard:
Maria, Maria, Maria, Maria.
All the beautiful sounds of the world in a single word:
Maria, Maria, Maria, Maria, Maria, Maria, Maria.

Maria, I've just met a girl named Maria,
and suddenly the name will never be the same to me.
Maria! I've just kissed a girl named Maria.
And suddenly I've found how wonderful a sound can be.
Maria, say it loud and there's music playing.
Say it soft and it's almost like praying,
Maria, I'll never stop saying: "Maria!"

Maria, Maria,
Say it soft and it's almost like praying,
Maria, I'll never stop saying: "Maria!"

The most beautiful sound I've ever heard.
Mari.......a.


Music by Leonard Bernstein, lyrics by Stephen Sondheim.
© 1956, 1957 Amberson Holdings LLC and Stephen Sondheim. Copyright renewed.
Leonard Bernstein Music Publishing Company LLC, Publisher.

From the CD Album "Johnny Mathis - The Ultimate Hits Collection", Music & Lyrics By Dimitri Tiomkin, Ned Washington

Johnny and Henry Mancini. What a great combination. I have to say that I have this one a very long time. I didn't remember what CD or LP it was from, so I went hunting online and found that it's from, "The Hits of Johnny Mathis," and that album cover in the video didn't even ring a bell but it's out there and you can buy it. It's just beautiful. He sang it in concert this year and it was even more beautiful. If he's in your area, go see him and enjoy.

From the original album: "Love Is Blue" 1968

Photos: Special thank you to Deedee, and bigphotos and naturephotos.com

Orig. 12-inch DISCO-Version, 1979. BEST VERSION OF ALL TIME! .HERE COMES THE LYRICS:

When they begin the beguine
It brings back the sound of music so tender
It brings back a night of tropical splendor
It brings back a memory ever green

I'm with you once more under the stars
And down by the shore an orchestra's playing
And even the palms seem to be swaying
When they begin the beguine

To live it again is past all endeavor
Except when that tune clutches my heart
And there we are, swearing to love forever
And promising never, never to part

What moments divine, what rapture serene
Till clouds came along to disperse the joys we had tasted
And now when I hear people curse the chance that was wasted
I know but too well what they mean

So don't let them begin the beguine
Let the love that was once a fire remain an ember
Let it sleep like the dead desire I only remember
When they begin the beguine

Let them begin the beguine, make them play
Till the stars that were there before return above you
Till you whisper to me once more, darling, I love you
And we suddenly know what heaven we're in when they begin

When they begin the beguine
When they begin the beguine
When they begin the beguine