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Wasted Time (2013 Remaster) · Eagles

Legacy

℗ 1976 Asylum

Engineer: Allan Blazek
Remastering Engineer: Bernie Grundman
Mixing Engineer: Bill Szymczyk
Producer: Bill Szymczyk
Engineer: Bruce Hensal
Electric Guitar: Don Felder
Backing Vocals: Don Felder
Drums: Don Henley
Lead Vocals: Don Henley
Backing Vocals: Don Henley
Engineer: Ed Mashal
Piano: Glenn Frey
Backing Vocals: Glenn Frey
String Arranger: Jim Ed Norman
Conductor: Jim Ed Norman
Organ: Joe Walsh
Backing Vocals: Joe Walsh
Bass Guitar: Randy Meisner
Backing Vocals: Randy Meisner
Concert Master Conductor: Sid Sharp
Writer: Don Henley
Writer: Glenn Frey

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Eagles - "The Last Resort" slideshow with lyrics on screen & in description. This song is really a history lesson. I've created this slideshow using images of beautiful American fine art, historic photographs and colorful high quality current scenic photographs.

"The Last Resort" is a song written by Don Henley and Glenn Frey. It was originally released on the Eagles' album Hotel California on December 8. 1976.[1] It was subsequently released as the B-side of "Life in the Fast Lane" single on May 3, 1977.

n a 1978 interview with Rolling Stone, Henley said: "'The Last Resort', on Hotel California, is still one of my favorite songs... That's because I care more about the environment than about writing songs about drugs or love affairs or excesses of any kind. The gist of the song was that when we find something good, we destroy it by our presence — by the very fact that man is the only animal on earth that is capable of destroying his environment. The environment is the reason I got into politics: to try to do something about what I saw as the complete destruction of most of the resources that we have left. We have mortgaged our future for gain and greed." (From Wikipedia, the free encyclopedia)

The song reflects on the Westward Expansion in America, with the hardship, bloodshed, greed and destruction of natural resources and wildlife that came with the settling of the West. Americans felt it was their destiny to claim the land and own the frontier from the Atlantic to the Pacific oceans. California was the last frontier. Ironically, the song says, "We can leave it all behind and sail to Lahaina", which is a town on the Hawaiian Island of Maui. Don Henley wrote the lyrics, which tell the epic story employing sarcasm and criticism.


Lyrics for Eagles, "The Last Resort":

"The Last Resort"

She came from Providence,
the one in Rhode Island
Where the old world shadows hang
heavy in the air
She packed her hopes and dreams
like a refugee
Just as her father came across the sea

She heard about a place people were smilin'
They spoke about the red man's way,
and how they loved the land
And they came from everywhere
to the Great Divide
Seeking a place to stand
or a place to hide

Down in the crowded bars,
out for a good time,
Can't wait to tell you all,
what it's like up there
And they called it paradise
I don't know why
Somebody laid the mountains low
while the town got high

Then the chilly winds blew down
Across the desert
through the canyons of the coast, to
the Malibu
Where the pretty people play,
hungry for power
to light their neon way
and give them things to do

Some rich men came and raped the land,
Nobody caught 'em
Put up a bunch of ugly boxes, and Jesus,
people bought 'em
And they called it paradise
The place to be
They watched the hazy sun, sinking in the sea

You can leave it all behind
and sail to Lahaina
just like the missionaries did, so many years ago
They even brought a neon sign: "Jesus is coming"
Brought the white man's burden down
Brought the white man's reign

Who will provide the grand design?
What is yours and what is mine?
'Cause there is no more new frontier
We have got to make it here

We satisfy our endless needs and
justify our bloody deeds,
in the name of destiny and the name
of God

And you can see them there,
On Sunday morning
They stand up and sing about
what it's like up there
They call it paradise
I don't know why
You call someplace paradise,
kiss it goodbye

THE USE OF ANY COPYRIGHTED MATERIAL IS USED UNDER THE GUIDELINES OF "FAIR USE" IN TITLE 17 § 107 OF THE UNITED STATES CODE. SUCH MATERIAL REMAINS THE COPYRIGHT OF THE ORIGINAL HOLDER AND IS USED HERE FOR THE PURPOSES OF EDUCATION, COMPARISON, AND CRITICISM ONLY. NO INFRINGEMENT OF COPYRIGHT IS INTENDED.

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The Last Resort (2013 Remaster) · Eagles

Legacy

℗ 1976 Asylum

Engineer: Allan Blazek
Remastering Engineer: Bernie Grundman
Mixing Engineer: Bill Szymczyk
Producer: Bill Szymczyk
Engineer: Bruce Hensal
Pedal Steel Guitar: Don Felder
Drums, Synthesizer: Don Henley
Lead Vocals: Don Henley
Engineer: Ed Mashal
Acoustic Guitar: Glenn Frey
Piano: Glenn Frey
Backing Vocals: Glenn Frey
String Arranger: Jim Ed Norman
Conductor: Jim Ed Norman
Electric Guitar: Joe Walsh
Synthesizer: Joe Walsh
Backing Vocals: Joe Walsh
Bass Guitar: Randy Meisner
Backing Vocals: Randy Meisner
Concert Master Conductor: Sid Sharp
Writer: Don Henley
Writer: Glenn Frey

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00:00 Member Introduction
00:27 Hotel California
07:56 Tequila Sunrise
11:07 Help Me Through The Night
15:50 The Heart Of The Matter
21:50 Love Will Keep Us Alive
26:25 The Girl From Yesterday
30:30 New York Minute
37:10 The Last Resort
44:22 Take It Easy
49:35 Get Over It
53:20 Desperado

April 25-26, 1994
Hell Freezes Over is the second live album by the Eagles, released in 1994. The album is the first to be released after the Eagles had reformed following a fourteen-year-long break up. The band's lineup was that of the Long Run era: Glenn Frey, Don Henley, Don Felder, Joe Walsh, and Timothy B.

List Songs

Hotel California
Tequila Sunrise
Help Me Through The Night
The Heart Of The Matter
Love Will Keep Us Alive
❌Learn To Be Still
❌Pretty Maids All In A Row
The Girl From Yesterday
❌Wasted Time
❌I Can't Tell You Why
New York Minute
The Last Resort
Take It Easy
❌Life In The Fast Lane
❌In The City
Get Over It
Desperado

The stars were bright above this group back in the day, it's plain to hear for both you and me, I hope you enjoy this one, it's been one of my favorites since about the age of 5... :) Dave

East Side Story Vol. 3

The Crests
Formed in New York City, USA, in 1956, the Crests soon became one of the most successful of the 'integrated' doo-wop groups of the period, after being discovered by Al Browne. Headed by the lead tenor of Johnny Mastro (Johnny Mastrangelo, 7 May 1930, USA), the rest of the band comprised Harold Torres, Talmadge Gough, J.T. Carter and Patricia Van Dross. By 1957 they were recording for Joyce Records and achieved their first minor pop hit with 'Sweetest One'. Moving to the new Coed label, the Crests (without Van Dross) recorded their signature tune and one of doo-wop's enduring classics, '16 Candles', a heartfelt and beautifully orchestrated ballad. It became a national pop hit at number 2 in the Billboard charts, paving the way for further R&B and pop successes such as 'Six Nights A Week', 'The Angels Listened In' and 'Step By Step'. At this time the band was almost permanently on the road. Following 'Trouble In Paradise' in 1960, the band's final two chart singles would be credited to The Crests featuring Johnny Mastro. However, this was evidently not enough to satisfy their label, Coed, whose priority now was to launch the singer as a solo artist. Mastro's decision to go solo in 1960 (subsequently calling himself Johnny Maestro) weakened the band, although they did continue with James Ancrum in his stead. Their former vocalist made the charts with 'Model Girl', still for Coed, in the following year, before re-emerging as leader of Brooklyn Bridge, an 11-piece doo-wop group who are best remembered for their 1968 single 'The Worst That Could Happen'. After 'Little Miracles' failed to break the Billboard Top 100 (the first such failure for the Crests in 10 singles), Gough moved to Detroit and a job with General Motors. He was replaced by Gary Lewis. However, the Crests were now entangled in legal disputes with Coed over the ownership of their name. They eventually moved to Selma, although the songs made available to the group were now of significantly inferior quality, including 'You Blew Out The Candles', a blatant attempt to revisit the success of '16 Candles'. The band continued to tour throughout the 60s, though Torres had left to become a jeweller, leaving a core of Carter, Lewis and Ancrum. Later line-ups were organized by Carter for lounge sessions (although there are no recordings from this period), and in June 1987 the original line-up (minus Van Dross) was re-formed for a show in Peepskill, New York.
THURSDAY, MARCH 25, 2010, 10:51 AM
Johnny Maestro, Crests and Brooklyn Bridge singer, dies at age 70 of cancer. (RIP)

Collectables 5009, 1990; Early Teenage Rockers Volume 41

It Must Be Love ....... It Most Definitely IS Love.!!!

Descripción

The Crests, featuring lead vocalist Johnny Maestro, performing their 1959 hit. Presented under the fair use doctrine of the Copyright Law.

The Crests featuring Tommy Mara performing at the Savannah Center in The Villages FL Aug 23, 2011 singing "The Angels Listened In"

Lack'n'Roll
50s & 60s Music

Doo Wop

"No One To Love" ~ The Crests (1957) Joyce Records #105
Flip side of, "Wish She Was Mine"

What a sweet song this is, I can remember my parents dancing so slowly in our living room to this one, I suppose that's when and where I learned to love it too, I hope you do to, enjoy, Dave :)

Doo Wop