Directed by Nick Pres & Damon Elliott
Director Of Photography: Alexey Kosorukov
Camera AC: Emir Khuchashev
Editing & Color: Nick Pres
Executive Producer: Izzy Silva
*Song Credits*
Producers:
Damon Elliott, Jared “BLUJAY” Freedman, Gregory Edwards, Toft Willingham and Kaylon Hallman
Writers:
Damon Elliott, Toft Willingham, Jared “BLUJAY” Freedman, Gregory Edwards, and Kaylon Hallman
Engineers:
Damon Elliott, Jared “BLUJAY” Freedman, Mario Luccy
Artists:
Dionne Warwick, Damon Elliott, Donnie McClurkin 
Featured Vocalists:
Toft Willingham
Jared “BLUJAY” Freedman
Kaylon Hallman
Choir:
Stevie Notes
Melodye Perry
Shikena Jones
Andre Washington
Players:
Gregory Edwards - Piano, Organ, Drum Programming
Kaylon Hallman - Bass, Background Vocals, Drum Programming
BLUJAY - Arrangement, Vocal Arrangement, Drum Programming, Background Vocals
Toft Willingham -  Lead Vocal, Background Vocal
Damon Elliott - Lead Vocal, Background Vocal, Arrangement, Drum Programming, Choir Director
Mixed By: Mario Luccy & Damon Elliott
Masted By: Trevor Chase

UK hit 1971 peaked at No.1, 14 weeks on chart

Re issue 1976 peaked at No.41, 4 weeks on chart
Remix 1990 peaked at No.21, 6 weeks on chart

DIANA ROSS “Live at Michigan Central Station” on June 6. 2024

Music video by Diana Ross performing "I Will Survive". The song is included on her album "Take Me Higher". Despite not having been officially released as a single in the US, it went to #37 on the Hot Dance Club Songs Chart. Overseas, the single went to #14 in the UK, and to #28 in Poland. Famous drag queen RuPaul appears in the video.
©1996 Motown Records, a Division of UMG Recordings, Inc. No copyright infringement intended.

Provided to YouTube by Universal Music Group

Upside Down (Original CHIC Mix) · Diana Ross

Diana

℗ 2003 Universal Motown Records, a division of UMG Recordings, Inc.

Released on: 2003-01-01

Associated Performer, Bass Guitar: Bernard Edwards
Associated Performer, Guitar: Nile Rodgers
Associated Performer, Keyboards: Raymond Jones
Associated Performer, Keyboards: Andy Schwartz
Associated Performer, Drum: Tony Thompson
Unknown, Other: Gene Orloff
Associated Performer, Saxophone: Eddie Daniels
Associated Performer, Trumpet: Bob Milliken
Associated Performer, Strings: Karen Milne
Associated Performer, Strings: Cheryl Hong
Associated Performer, Strings: Valerie Heywood
Associated Performer, Background Vocalist: Alfa Anderson
Associated Performer, Background Vocalist: Luci Martin
Associated Performer, Background Vocalist: Fonzi Thornton
Associated Performer, Background Vocalist: Michelle Cobbs
Studio Personnel, Engineer: Bill Scheniman
Studio Personnel, Engineer: James Farber
Studio Personnel, Engineer: Neil Dorfsman
Studio Personnel, Engineer: Ralph Osborn
Studio Personnel, Asst. Recording Engineer: Jeff Hendrickson
Studio Personnel, Asst. Recording Engineer: Abdoulaaye Soumare
Studio Personnel, Asst. Recording Engineer: Lucy Laurie
Studio Personnel, Asst. Recording Engineer: Peter Robbins
Studio Personnel, Mix Engineer: Bob Clearmountain
Composer Lyricist: Nile Rodgers
Composer Lyricist: Bernard Edwards

Auto-generated by YouTube.

The Supremes was an American female singing group and the premier act of Motown Records during the 1960s. Originally founded as the Primettes in Detroit, Michigan, in 1959, the Supremes' repertoire included doo-wop, pop, soul, Broadway show tunes, psychedelic soul, and disco. They were the most commercially successful of Motown's acts and are, to date, America's most successful vocal group with 12 number one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland--Dozier--Holland. At their peak in the mid-1960s, the Supremes rivaled the Beatles in worldwide popularity, and their success made it possible for future African American R&B and soul musicians to find mainstream success.
Founding members Florence Ballard, Mary Wilson, Diana Ross, and Betty McGlown, all from the Brewster-Douglass public housing project in Detroit, formed the Primettes as the sister act to the Primes (with Paul Williams and Eddie Kendricks, who went on to form the Temptations). Barbara Martin replaced McGlown in 1960, and the group signed with Motown the following year as the Supremes. Martin left the act in early 1962, and Ross, Ballard, and Wilson carried on as a trio.
During the mid-1960s, the Supremes achieved mainstream success with Ross as lead singer. In 1967, Motown president Berry Gordy renamed the group Diana Ross & the Supremes, and replaced Ballard with Cindy Birdsong. Ross left to pursue a solo career in 1970 and was replaced by Jean Terrell, at which point the group's name reverted to the Supremes. After 1972, the lineup changed more frequently; Lynda Laurence, Scherrie Payne, and Susaye Greene all became members of the group during the mid-1970s. The Supremes disbanded in 1977 after an 18-year run.

This deeply emotional song, "Touch Me in the Morning," written by Michael Masser and Ron Miller and recorded by Diana Ross on the Motown label was released as a single in 1973 and reached number one on the Billboard Hot 100 singles chart. It was included in the album of the same name and can also be found on the CD, The Definitive Collection on Motown. On a personal note it evokes very sad memories of August 1973. I do not own the right to the songs, audio, or images contained in this video. This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education not for monetary gain.

At 35, Diana Ross's Son FINALLY Confirms What We Thought All Along

When we talk of an icon, Diana Ross is the first name that comes to mind. She is a treasure with a magnificent legacy that has revolutionized music history. Despite being known by many as an alchemist with an unprecedented career that has made her the most successful recording artist and entertainer of all time, her personal life has been a subject of intrigue, with many tragic tales known by only her friends and close family. What are these tales? Could there be a secret life that Diana has managed to keep hidden from the world? Join us as we unveil how Diana Ross' Son Reveals The AWFUL Truth About Her.

From the album "Swept Away" 1984
RCA Records

Provided to YouTube by Universal Music Group

Love Hangover · Diana Ross

Diana Ross

℗ 1976 Motown Records, a Division of UMG Recordings, Inc.

Released on: 2012-01-01

Producer: Hal Davis
Associated Performer, Recording Arranger: Dave Blumberg
Associated Performer, Recording Arranger: Clay Drayton
Composer Lyricist: Marilyn McLeod
Composer Lyricist: Pamela Sawyer

Auto-generated by YouTube.

Diana Ross One Shining Moment Taken From Laserdisc

Theme from "The Land Before Time" 1988

Diana Ross
My Old Piano
Diana
(C) 1980 Motown Records

Lyrics:

Love is called
My old piano
I have a ball
With my old piano

My baby entertains
The real life of my parties
But still retains
In all the dignity
His international style
Exudes an air of royalties
His eighty eight key smile
Is so pleasant to see

Love is called
My old piano
I have a ball
With my old piano

My old keyboard
Won't stand for a corner
He demands the middle of the room
Your heart dissolves
While he tips you so gracefully
'Till you're involved
In a babygrand affair

Love is called
My old piano
I have a ball
With my old piano

He entertains
The real life of my parties
But still retains
In all the dignity
His international style
Exudes an air of royalties
His eighty eight key smile
Is so pleasant to see

My old keyboard
Won't stand for a corner
He demands the middle of the room
Your heart dissolves
While he tips you so gracefully
'Till you're involved
In a babygrand affair

Love is called
My old piano
I have a ball
With my old piano

Theme from Mahogany with scenes from the film with the same name.

"It's My Turn" (Masser, Sager) - 3:58
From 1980 original motion picture soundtrack It's My Turn

Diana Ross
Album: Diana Ross: Greatest Hits
(C) 2001 Motown Record Company L.P.

Own nothing here, just a tribute to a classic performance by a great artist.
Enjoy, and Buy the artist's CD's
THE USE OF ANY COPYRIGHTED MATERIAL IS USED UNDER THE GUIDELINES OF "FAIR USE" IN TITLE 17 § 107 OF THE UNITED STATES CODE. SUCH MATERIAL REMAINS THE COPYRIGHT OF THE ORIGINAL HOLDER AND IS USED HERE SOLEY FOR THE PURPOSES OF EDUCATION, COMPARISON, AND CRITICISM ONLY.
NO INFRINGEMENT OF COPYRIGHT IS INTENDED.

Single Chart Top Position
"It's My Turn" US Billboard Hot 100 9