Music
"For reasons I could never figure out, this Four Tops song has always seemed to have a bit of sadness to it- a sadness that had nothing at all to do with the subject of the song- of trying to win back someone.
I believe the sadness for me has always come from the fact that this sounds like the last great hurrah for the classic "Motown Sound." I'm sure there were plenty of other songs that came out around this time that still had some of that great Detroit Studio A sound, but for me personally, this has always just sounded like a swan song for the Detroit era sound.
Pamela Sawyer and Gloria Jones wrote it, David Van DePitte arranged it and Frank Wilson produced it.
Levi Stubbs sounds as raging and powerful as always, but there is also a sort of ironic effect of that powerful voice effecting a sense of near-defeat- there is the feeling that poor Levi won't be seeing his love again anytime soon.
Listen on the first reading of the line "If I only knew where you were..." at :47 is there no more sadder and heartbreaking sound than Levi singing this plea?
Listen closely also to the backing vocals. Though not througout the song, it seem (and I can't verify it) the vocals of the Andantes can be heard mixed in only on the choruses. Even more interesting is that it seem the Tops' were double tracked- singing two backing parts. At points :37 and 1:15 you'll notice the Tops are heard on one channel singing a "HA! Ahhhhhh" part while on the other channel, they sing a sustained vocal backing part. Very cool.
While Levi has to rely upon seven numbers to rectify his lonely turn of events, we can rely upon listening to this marvelous classic as many times as we like to enjoy one of the best of the Four Tops' releases."
"Recording Information from the MIND-BLOWINGsite, "Don't Forget The Motor City"
http://www.dftmc.info/titles/tj-03.htm
Just Seven Numbers (Can Straighten Out My Life) (Pamela Sawyer-Gloria Jones) published Jobete 01-Jul-70
alt title: Everyone Wants Someone To Be Their Own Piece Of Clay
Four Tops; recorded Hitsville-GW, completed 01-Aug-70 ; produced by Frank Wilson ; arranged by Dave Van DePitte
Sep-70; LP (S): Motown MS721 Changing Times"
28-Dec-70; 45 (M): Motown M 1175 A
Aug-71; LP (S): Motown M740L Four Tops Greatest Hits Vol. 2"
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#FourTops #BabyINeedYourLoving #Motown
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It was common during the 50's and 60's for albums to be a collection of hits and so-called "filler"; throw-away tracks, quickly recorded tracks. Not until the Beatles and "Sgt. Pepper's Lonely Hearts Club Band" did the recording industry really start to re-think what albums could accomplish. Then more thought and planning started going into albums.
Motown never intended to set trends when they released their 60's albums- they pretty much followed the standards of the industry at large. So you got a few hits and additional tracks- I don't like calling those tracks "filler" because Motown was so intent on recording hits, they hardly went into the studio just record mediocre material or "filler" tracks. Because Motown wanted those hits so badly, those albums are chock full of rewards. Often, those albums yielded stunning recordings that could be as strong as the hits those albums were build around.
Here is the side two of one of the best albums ever to come out of Detroit and the Motown Hitsville studio; "Four Tops Second Album." Everything...EVERYTHING on this album clicks so well, it all sounds like it was tailor made to go together as a long-player. Produced by Holland-Dozier-Holland (with a song/production by Smokey Robinson as well), this is Motown and The Detroit Sound at it's mid-sixties best.
Check out this fantastic review of the album here: http://youtu.be/gOsMWMXKOso Encyclopedia Mack