Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.

This VHS film "Johnny Mathis Greatest Hits Concert (1982)" is not for any personal financial profit or gain to TheeSymphony'sCulture Channel, but instead only for educational purposes and cultural research.

This concert video is Dedicated to our friend Ann Mays,
(Number 1 Johnny Mathis Fan Of All Time)

African-American/Native American Singer JOHNNY MATHIS, was one of the most talented singers and performers of his time. His voice in song debuted in the world of music entertainment in 1956, and his music career immediately took flight from there. Velvety smooth favorites like "Misty," "Chances Are," and "Wonderful Wonderful," have made JOHNNY MATHIS one of the greatest romantic singers for all time. His album of hit recordings spent a total of over 480 weeks on the charts---an astounding achievement for an artist!

Join JOHNNY and his special guest DENIECE WILLIAMS as they sing their hit song "Too Much Too Little Too Late," and get set to enjoy an evening with one of the best-loved musical performers of all time!

First of the shorter range videos for contemporary singers on my channel. This type of format won't suit every singer so this won't be a common occurence. I thought of doing a full vocal range for Johnny but due to the breadth of his discography (over seventy albums, not counting live stuff) I thought this would be more fitting. I mean, after all, I don't wanna make a 4 hour long video lmaoo.

Regarding his voice, he is a wonderful trained tenor with a development across all registers (except his head voice - it is a bit underdeveloped and underused). He rarely sang past the B-flat 4 but he had a solid C5 which he demonstrated a few times. And yes, that A5 is him.

Music is the property of the original artist.

This Video is for exhibition, entertainment and educational purposes.

Enjoy!!

Johnny Mathis With Herb Alpert’s Tijuana Brass . September 11 .1965 . Hollywood Bowl . Audio Only . Johnny Mathis - 00.00 - 21.30 - Minutes - Johnny Mathis - 1hr 20 Minutes - 2hr 28 Minutes.
Johnny Mathis was one of those artists who transitioned over from Jazz/Pop to traditional Pop and ballads, including a lot of showtunes and standards, making a household name for himself and becoming an icon because of it.

Mathis had broad appeal and was featured prominently on Late Night TV (Johnny Carson), numerous variety programs of the time and would continue to ring up handsome figures in album sales well into the 80s and 90s.

So as much as you’d like to think the world abruptly changed in the direction of John, Paul, George and Ringo, there was still a substantial fan base for someone of Johnny Mathis’ appeal and unique talents.

This concert, which also features Herb Alpert’s Tijuana Brass, was hosted by the Stereo Store in the San Fernando Valley, House Of Sight And Sound and was emceed by the KMPC disc jockeys.

Bear in mind, this concert is fifty-three years old and was presented at a time when Traditional Pop still had popularity with the Top-40 crowd as was evidenced by Herb Alpert’s Tijuana Brass, which was enjoying top-10 status with most Rock Stations around the country in 1965.

The other thing – which is something you definitely would not find now is the humor of Bill Dana, who introduces The Tijuana Brass. Dana, who was a popular comedian as well as writer, established a career for himself in the character of José Jimenez, a somewhat stereotyped Bolivian who was very popular in the late 1950s/early 1960s, but who would be considered today as downright offensive. Times change – and so does music.

Here’s a reminder that The Hollywood Bowl was a showcase for a wide spectrum of Artists throughout the years – and this was what Pop Music was about in the early 1960s.

Copyright Disclaimer Under Section 107 of the Copyright Act 1976,
allowance is made for "fair use" for purposes such as criticism,
comment, news reporting, teaching, scholarship,and research.
Fair use is a use permitted by copyright statute that might otherwise be infringing.
Non-profit, educational or personal use tips the balance in favor of fair use.

Another song, done to perfection by Johnny Mathis that I really love. Makes me want to go to Paris, so I hope I take you there in this video too.

You can purchase this wonderful song in the boxed set, "The Music Of Johnny Mathis, a personal collection."

Original album: "Raindrops Keep Falling On My Head," 1970.

I love the spiritual message of the song and Johnny Mathis just delivers the message with perfect "clarity " and beauty. A great way to start any day.

You can get this beautiful song on the CD, "The Essential Johnny Mathis." You can also get it from iTunes.

Johnny Mathis goes straight to my heart with the best rendition of this song that I've ever heard. You can purchase this beauty on his CD, "Warm."



Composers: Davis and Silver

A beautiful love song given the Mathis touch.

Orig. 12-inch DISCO-Version, 1979. BEST VERSION OF ALL TIME! .HERE COMES THE LYRICS:

When they begin the beguine
It brings back the sound of music so tender
It brings back a night of tropical splendor
It brings back a memory ever green

I'm with you once more under the stars
And down by the shore an orchestra's playing
And even the palms seem to be swaying
When they begin the beguine

To live it again is past all endeavor
Except when that tune clutches my heart
And there we are, swearing to love forever
And promising never, never to part

What moments divine, what rapture serene
Till clouds came along to disperse the joys we had tasted
And now when I hear people curse the chance that was wasted
I know but too well what they mean

So don't let them begin the beguine
Let the love that was once a fire remain an ember
Let it sleep like the dead desire I only remember
When they begin the beguine

Let them begin the beguine, make them play
Till the stars that were there before return above you
Till you whisper to me once more, darling, I love you
And we suddenly know what heaven we're in when they begin

When they begin the beguine
When they begin the beguine
When they begin the beguine

The Love Story album from Johnny Mathis is one of his most realized, produced during a decade when he worked with producers ranging from Richard Perry and Jerry Fuller to one of the proponents of the Philly sound, Thom Bell. Here the singer is in a comfortable setting with producer Jack Gold, ably assisted by arranger and conductor Perry Botkin, Jr. a couple of years before Botkin hit with "Nadia's Theme (The Young & the Restless)." Even the front and back cover photos have a different aura, with Mathis dressed in black with a white collar, peering out of an all-black cover and looking deep in thought. His rendition of "(Where Do I Begin) Love Story" is riveting, a sweeping and majestic piece to lead off the record, and not the usual Jack Gold musical movement, but more pronounced and determined. The Top Ten hit, of course, went to Andy Williams in 1971, with Henry Mancini going Top 15 and Francis Lai taking the same title Top 35, all in the same year.

The competition was intense, and maybe that's why the team pulled out all the stops here. They then take Lynn Anderson's 1970 Top Three hit "Rose Garden" and fuse the pop with big band, eliminating whatever elements sent it to number one on the country charts for Anderson. As a pure pop tune, it works very well, a standout performance chock-full of backing vocalists and unique instrumentation. This could have been a hit for Mathis, as it goes beyond the usual formula of "let's put some sweet accompaniment behind the voice and let Johnny do his thing."

"Ten Times Forever More" sweeps in with backing vocalists as if the Ray Conniff Singers suddenly showed up to duet with Johnny. No doubt Perry Botkin Jr. greatly influenced this project. Perry Como's Top Ten nugget "It's Impossible" gets equal time, with the arrangement, production, and backing vocals all stunning. This was a big year for the crooners, and Mathis reinterpreting these new classics was essential. No mere run-throughs, the recording and performances are on par with the hit versions. Robert Mersey steps in to arrange and produce one track, "I Was There," and it does have a different feel to the rest of the album, sounding vocally like Mathis' 1964 Top Ten hit "What Will Mary Say." "What Are You Doing for the Rest of Your Life" closes out a powerful and exhausting side one. The second side goes back to what producer Mitch Miller prescribed for this artist: careful and pleasant versions of "We've Only Just Begun," the Classics IV's "Traces," "For the Good Times," and "My Sweet Lord." George Harrison's number seems like an outtake when compared to the tour de force of side one or even the awe-inspiring Phil Spector/George Harrison production of the original hit. Taking Dennis Yost to task on "Traces" is easy for Mathis, but not bringing in the bells and whistles for "My Sweet Lord" was a mistake given all the attention focused on "Rose Garden" and the tunes at the beginning of the LP.


Where do I begin
To tell the story of how great a love can be
The sweet love story that is older than the sea
The simple truth about the love she brings to me
Where do I start

With her first hello
She gave new meaning to this empty world of mine
There'd never be another love, another time
She came into my life and made the living fine
She fills my heart

She fills my heart with very special things
With angels' songs , with wild imaginings
She fills my soul with so much love
That anywhere I go I'm never lonely
With her around, who could be lonely
I reach for her hand-it's always there

How long does it last
Can love be measured by the hours in a day
I have no answers now but this much I can say
I know I'll need her till the stars all burn away
And she?ll be there

How long does it last
Can love be measured by the hours in a day
I have no answers now but this much I can say
I know I'll need her till the stars all burn away
And she'll be there

"Various Artists-(Where Do I Begin) Love Story", sound recording administered by The Orchard Music, SME
(thanks for allowing this to remain)
"The AUDIO content does not belong to me. I do not profit from these Videos and/or Slideshows. I do not own copyrights of the images, which are from free websites. This is strictly for Educational use and Commentary purposes."

"No copyright is claimed in [the music] and to the extent that material may appear to be infringed, I assert that such alleged infringement is permissible under fair use principles in U.S. copyright laws. If you believe material has been used in an unauthorized manner, please contact the poster."

Copyright Disclaimer--"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."

From the album, Christmas Eve With Johnny Mathis,
released on 07-11-1986. W&M by Irving Berlin & Alfred S. Burt.

"Caroling, Caroling" is a popular Christmas song written by Alfred Burt and Wihla Hutson in 1953. Originally written to accompany a Christmas card, it is one of Alfred Burt's best-loved Christmas carols.

"Happy Holiday" (sometimes performed as "Happy Holidays") is a popular song composed by Irving Berlin during 1942 and published the following year. "Happy Holiday" was introduced by Bing Crosby in the 1942 film Holiday Inn.

Happy holiday (caroling, caroling)
Happy holiday (caroling, caroling)
Holiday, holiday, holiday, to you

Caroling, caroling now we go
Christmas bells are ringing
Caroling, caroling through the snow
Christmas bells are ringing

Joyous voices sweet and clear
Sing the sound of heart to cheer
Ding dong, ding dong
Christmas bells are ringing

Happy holiday, happy holiday

Caroling, caroling through the town
Christmas bells are ringing
Caroling, caroling up and down
Christmas bells are ringing

Mark ye well the song we sing
Gladsome tidings now we bring
Ding dong, ding dong
Christmas bells are ringing

Joyous voices sweet and clear
Sing the sound of heart to cheer
Ding dong, ding dong
Ding dong, ding dong
Ding dong, ding dong
Christmas bells are ringing

Happy Holiday
Happy holiday to you

Happy Holiday
Happy holiday

While the merry bells keep ringing
May your every wish come true

Happy holiday, happy holiday
May the calendar keep bringing
Happy holidays to you

Happy holiday, happy holiday
While the merry bells keep ringing
May your every wish come true

(Caroling, caroling)

Happy holiday, happy holiday
May the calendar keep bringing
Happy holidays to you

(Caroling, caroling)
(Caroling, caroling)

While the merry bells keep ringing
May your every wish come true

Happy holiday, happy holiday
May the calendar keep bringing
Happy holidays to you

(Christmas bells are ringing)

Sound recording administered by:
SME On behalf of: Sony Music
(thanks for allowing this to remain)
"The AUDIO content does not belong to me. I do not profit from these Videos and/or Slideshows. I do not own copyrights of the images, which are from free websites. This is strictly for Educational use and Commentary purposes."
"No copyright is claimed in [the music] and to the extent that material may appear to be infringed, I assert that such alleged infringement is permissible under fair use principles in U.S. copyright laws. If you believe material has been used in an unauthorized manner, please contact the poster."
Copyright Disclaimer--"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."

Johnny Mathis - How Do You Keep The Music Playing Live HQ

Copyright Disclaimer Under Section 107 of the Copyright Act 1976,
allowance is made for "fair use" for purposes such as criticism,
comment, news reporting, teaching, scholarship,and research.
Fair use is a use permitted by copyright statute that might otherwise be infringing.
Non-profit, educational or personal use tips the balance in favor of fair use.

Mama Cass Elliot - Make Your Own Kind Of Music with Lyrics