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Psalm 121 in HEBREW! בעברית // LIVE at the TOWER of DAVID, Jerusalem // Joshua Aaron // Esa Einai 121gamers 2 Views • 1 year ago

PLEASE SHARE // LIVE ALBUM now on iTunes (and all digital media outlets)!!! // LYRICS BELOW \\ LINKS = iTunes - https://tinyurl.com/toweritunes
GooglePlay - https://tinyurl.com/towerlivegoogle
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Order the CD or DVD at https://www.worshipinisrael.co/store

🎶Featuring Yaron Cherniak on the Saz & Aaron Shust on vocals, piano

Psalm 121 was performed LIVE at the Tower of David, Jerusalem to commemorate 10 years of music (Joshua Aaron) and celebrate Israel's 71st year of statehood. The album was released worldwide May 14th, 2019 on Israel's 71st Birthday and reached #1 in "world" genre on iTunes and Google Play.

LYRICS: All text/lyrics according to the Masoretic Text and the JPS 1917 Edition (lai lai lai added) composed by Joshua Aaron

VERSE 1
Esa einai el heharim,
Me'ayin yavo ezri?
Ezri me'im Adonai,
Oseh shamayim va'aretz.

Translation
1 I will lift up mine eyes unto the mountains: from whence shall my help come?
2 My help cometh from the LORD, who made heaven and earth.

Lai, Lai, Lai…

VERSE 2
Al yiten lamot raglekha
Al yanum shomrekha
Hineh lo yanum v’lo yiyshan
Shomer Yisrael

translation
3 He will not suffer thy foot to be moved; He that keepeth thee will not slumber.
4 Behold, He that keepeth Israel doth neither slumber nor sleep.

Lai lai lai....

VERSE 3
Adonai shomrekha Adonai Tsilkha
Alyad yeminekha
Yomam hashemesh lo yakeka
V’yareach balaila

Lai, lai, lai…

Translation
5 The LORD is thy keeper; the LORD is thy shade upon thy right hand.
6 The sun shall not smite thee by day, nor the moon by night.

VERSE 4
Adonai yishmorkha mikol ra
Yishmor et nafshekha
Adonai yishmor tse’atkha
Uvo’ekha me’ata vad olam

Translation
7 The LORD shall keep thee from all evil; He shall keep thy soul.
8 The LORD shall guard thy going out and thy coming in, from this time forth and for ever.

Lai, lai, lai...

© 2018 Integrity’s Praise! Music/BMI (adm worldwide at CapitolCMGPublishing.com, excluding the UK which is adm by Integrity Music, part of the David C Cook family) & © 2018 Centricity Songs (BMI) (admin. at CapitolCMGPublishing.com)

#Psalm121 #LaiLaiLai #Hebrew #Worship
Messianic Music, Praise Music in Israel

Step by Step - How to Build a House 121gamers 2 Views • 1 year ago

Believe it or not, there are sequences in construction. If there were not, we would all end up building our own individual portion of the project at the same time or at random times and we would wind up having an awful mess on our hands (not to mention a complete train wreck of a project)! In this episode of Electrician U, Dustin digs into the different phases of building a house.

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Before we start, there are a few things to discuss. For one, there are many (MANY!!) different phrase choices for the different phases, and these tend to vary from one location in the country to the other. So, for the purposes of this discussion, we will just talk in generalities, and you can adjust to where you are at to get the language just right! Also, while we ALL must work together to have a successful project, the different trades, and the different jobs Within each trade, will have more interest and interaction with the various phases of a construction job. A trim carpenter will most likely have no interaction with the site prep phase but will have a major part in the trim out phase.
One of the first things we must do is get the site ready to accept the job. We will call this Site Prep. Dirt must be moved and leveled, trees and underbrush must be cleared, and sometimes access roads must be built to give us access to the site. For us electricians (or anyone in the MEP trades) this is where we put in our deep underground conduits, bring our utilities to the site, and put in any of our work in that needs to be put in the ground. Closely behind the site prep portion is the slab work. This is where the rebar is installed and tied, and the concrete slab is placed. As electricians, we also must be present here to install the smaller branch conduits, floor boxes, etc. that go into the slab as well as install our Ufer grounds. This is also the point where the temporary utilities are brought to the site to use during construction.
Framing of the structure is the next phase of construction. Interior and exterior walls are framed, the roof is installed, and the building is dried in. This is the point where the MEP trades will do the rough in for their respective trades. Plumbing pipes are installed, ducts put in, and wiring is run. This is the process where it appears to have the most work done as you started off with just a slab of concrete and when done you have a building! As soon as those trades have finished, and their work is inspected (and passed!!) the drywall can be installed, and finishing can begin.
During the finishing stages the typical sequence is drywall is hung, taped, and floated, then textured. Once texture is complete, then the cabinets, tile, trim wood, etc. are installed. Typically, this work is done before final paint as installing those finishes can result in scuffing up the walls a bit, so paint is left until after. After the paint is dry, the MEP trades are released to come in and install their respective trim out devices. For us electricians, this is where we put in the receptacles, switches, can light trims, surface ceiling fixtures, and things of that nature. Serious consideration must be given to the scheduling of the various trades at any one time so we aren’t working on top of each other (or at least as little as possible) so we can get our jobs done in a timely fashion.
The last thing to be done once the trim has been placed is get the final inspection(s) for the project. A thorough run through the project is made by the inspector, and once he/she is satisfied that we have installed everything appropriately, they will release the project with a certificate of occupancy!
Sometimes the sequences are a bit different, and some of the tasks will vary from project to project and location to location, but these steps are fairly typical of a standard project. We hope this has been insightful into the steps necessary to build a home. Is there a particular topic you would like to have discussed? Please leave some comments in the section below and let us know. Please continue to follow Dustin and Electrician U as we are constantly adding new content to assist our viewers in their careers!

#electrician #electrical #electricity #sparky life #electrical contractor #construction management

The Homes of the Legendary Motown Stars | Ultimate Detroit Motown Tour | Marvin Gaye, Stevie, & paccione .co.uk 2 Views • 2 years ago

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Opening song by IDL Beats can be found here https://youtu.be/CkXFChqxvqg

#motown #celebrityhouses

Above the front windows of Motown Records' Detroit headquarters was a sign that read "Hitsville U.S.A." Placed there by Motown founder Berry Gordy soon after his company moved into the modest home at 2648 W. Grand Blvd, the sign demonstrated Gordy's blazing — and at the time, unearned — arrogance. Then the slogan came true.

Founded on Jan. 12, 1959, Motown quickly became another Detroit factory; where the Big Three produced automobiles, Motown assembled the soul and pop classics that changed America. There's no hyperbole in that statement. Arriving at the height of the civil rights movement, Motown was a black-owned, black-centered business that gave white America something they just could not get enough of — joyous, sad, romantic, mad, groovin', movin' music. (See an audio slideshow of five of Motown's best tunes.)

A former boxer and automobile worker, Berry Gordy was a nascent songwriter when, at the urging of Smokey Robinson, a songwriter ten years younger than Gordy, he decided to establish Motown Records. The two had become friends years earlier and Robinson, who was the lead singer of a band called The Miracles, produced, wrote, and sang several of Motown's most memorable hits — including the labels' first smash song, "Shop Around" in 1960. A year later, "Please Mr. Postman," by The Marvelettes, was the label's first No. 1 song. It would not be the last.

Over the next decade, the sheer number of chart-topping artists, musicians, and groups produced by Motown defied comprehension: Martha and the Vandellas, Smokey Robinson and the Miracles, The Temptations, The Four Tops, Diana Ross and the Supremes, Gladys Knight and the Pips, The Jackson 5, Stevie Wonder, Marvin Gaye. All became part of what would come to be known as the Motown Sound. It is rumored that Gordy modeled his hit factory after the Detroit car assembly line that he knew so well: Make a good product, then make something similar, and make it quick. Over here were the songwriters — Robinson and the team of Eddie Holland, Lamont Dozier, and Brian Holland (Holland-Dozier, Holland, or H-D-H). Over there was the talent — Stevie Wonder, whom the label discovered when he was 11; Marvin Gaye, who wanted so much to be a jazz crooner before he came into his own in the late 60's; and, above all, Diana Ross, whom the label put its stake in early on, and who was told so many times that she was a star that she drove off one of the Supremes before quitting to launch a solo career. In a neglected corner were the session musicians the Funk Brothers, who played on God knows how many hit songs. Let's just say a lot.

Throughout the Sixties, Motown produced a catalog of songs that cannot be rivaled. "You've Really Got a Hold On Me," "Heat Wave," "Dancing in the Street," "Tracks of My Tears," "Where Did Our Love Go," "My Guy," "My Girl," "Baby Love," "Reach Out, I'll Be There," "I Can't Help Myself," "Get Ready," "Stop! In the Name of Love," "The Way You Do the Things You Do," and so on. They were simple love songs that told simple stories, often in joyously happy or heartbreakingly sad ways. And all the while Motown was the pride of Detroit and the pride of black America (though Gordy tried, with his usual bluster, to make it the "Sound of Young America," a label he began to stamp on all of the company's vinyl).

Around the time of the '67 Detroit riots, however, things changed, as they eventually had to. Gordy looked west, towards Los Angeles (how could such a large entertainment company as his not be involved in movies and television?). Dissatisfied with the increasing disconnect between the success of their work and the level of their pay, Holland-Dozier-Holland broke off from Motown. And while the Jackson 5 was on the rise, most of the rock-steady Motown acts of the early '60s were on the wane. In 1971, though, the label released what is arguably its grandest artistic statement, something not at all of a piece with its previous, poppy output. Marvin Gaye put out What's Going On, a thoughtful, socially conscious album whose title track Gordy famously called the worst song he had ever heard. A year later, Motown deserted Detroit for L.A. and Stevie Wonder turned 21, thereby taking creative control of his music. Within four years he had released Talking Book, Innervisions, and Songs in the Key of Life.