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Bonnie Tyler - Total Eclipse of the Heart (Long Version) [Audio] Helena 3 Visninger • 1 år siden

Bonnie Tyler - Total Eclipse of the Heart (Turn Around) (Long Version - Official Audio)
Stream Bonnie Tyler here: https://bonnietyler.lnk.to/Streaming
Subscribe to the Bonnie Tyler YouTube Channel: https://bonnietyler.lnk.to/YTSubscribe

WATCH TOTAL ECLIPSE OF THE HEART MUSIC VIDEO ► https://bonnietyler.lnk.to/YouTubeTT/youtube
WATCH HOLDING OUT FOR A HERO MUSIC VIDEO ► https://bonnietyler.lnk.to/YouTubeTT/youtube2
WATCH IF YOU WERE A WOMAN MUSIC VIDEO ► https://bonnietyler.lnk.to/YouTubeTT/youtube3
WATCH LOVING YOU IS A DIRTY JOB MUSIC VIDEO ► https://bonnietyler.lnk.to/YouTubeTT/youtube4

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Website: https://www.bonnietyler.com

#BonnieTyler #TotalEclipseOfTheHeart #TurnAround #BonnieTylerOfficial #BonnieTylerEssentials #BonnieTylerLive #BonnieTylerGreatestHits #BonnieTylerTotalEclipseOfTheHeart #BonnieTylerPerformance #TotalEclipseOfTheHeartOfficialVideo #BonnieTylerOfficialVideo #80s #BonnieTylerKaraoke #HoldingOutForAHero

Lyrics

(Turn around)
Every now and then
I get a little bit lonely
And you're never coming round

(Turn around)
Every now and then
I get a little bit tired
Of listening to the sound of my tears

(Turn around)
Every now and then
I get a little bit nervous
That the best of all the years have gone by

(Turn around)
Every now and then I get a little bit terrified
And then I see the look in your eyes
(Turn Around, bright eyes)
Every now and then I fall apart
(Turn Around, bright eyes)
Every now and then
I fall apart

(Turn around)
Every now and then
I get a little bit restless
And I dream of something wild
(Turn around)
Every now and then
I get a little bit helpless
And I'm lying like a child in your arms
(Turn around)
Every now and then
I get a little bit angry
And I know I've got to get out and cry
(Turn around)
Every now and then
I get a little bit terrified
But then I see the look in your eyes
(Turn Around, bright eyes)
Every now and then
I fall apart
Turn around, bright eyes
Every now and then
I fall apart

And I need you now tonight
And I need you more than ever
And if you only hold me tight
We'll be holding on forever
And we'll only be making it right
'Cause we'll never be wrong
Together we can take it to the end of the line
Your love is like a shadow on me all of the time
(All of the time)
I don't know what to do and I'm always in the dark
We're living in a powder keg and giving off sparks
I really need you tonight
Forever's gonna start tonight
(Forever's gonna start tonight)

Once upon a time
I was falling in love
But now I'm only falling apart
There's nothing I can do
A total eclipse of the heart

Once upon a time there was light in my life
But now there's only love in the dark
Nothing I can say
A total eclipse of the heart

[Instrumental Interlude]

(Turn Around, bright eyes)
(Turn Around, bright eyes)

(Turn around)
Every now and then
I know you'll never be the boy
You always wanted to be
(Turn around)
But every now and then
I know you'll always be the only boy
Who wanted me the way that I am
(Turn around)
Every now and then
I know there's no one in the universe
As magical and wondrous as you
(Turn around)
Every now and then
I know there's nothing any better
There's nothing that I just wouldn't do
(Turn Around, bright eyes)
Every now and then I fall apart
(Turn Around, bright eyes)
Every now and then I fall apart

And I need you now tonight
And I need you more than ever
And if you only hold me tight
We'll be holding on forever
And we'll only be making it right
'Cause we'll never be wrong
Together we can take it to the end of the line
Your love is like a shadow on me all of the time
(All of the time)
I don't know what to do
I'm always in the dark
Living in a powder keg and giving off sparks
I really need you tonight
Forever's gonna start tonight
(Forever's gonna start tonight)

Once upon a time
I was falling in love
But now I'm only falling apart
There's nothing I can do
A total eclipse of the heart

Once upon a time there was light in my life
But now there's only love in the dark
Nothing I can say
A total eclipse of the heart

A total eclipse of the heart
A total eclipse of the heart
(Turn Around, bright eyes)
(Turn Around, bright eyes)
(Turn around)

The 100 Greatest Motown Songs (1960-1994) (Part 1) paccione .co.uk 3 Visninger • 1 år siden

Shortly after the release of "The Evolution of Love Songs," I began to start working on The Evolution of Motown Music (1960-1994). After finishing the first five or six songs, I ditched The Evolution of Motown Music (1960-1994) so I could finish the decade series. But here it is now, almost two months later. I hope you will enjoy the video!

Motown is a record company founded by Berry Gordy, Jr. in 1959 in Detroit, Michigan, United States. The name, a portmanteau of motor and town, is also a nickname for Detroit. Motown played an important role in the racial integration of popular music by achieving a crossover success. In the 1960s, Motown and its soul-based subsidiaries were the most successful proponents of what came to be known as "The Motown Sound", a style of soul music with a distinct pop influence.

Songlist:
1960 Shop Around - Smokey Robinson & the Miracles
1961 Please Mr. Postman - The Marvelettes
1962 Do You Love Me - The Contours
1962 You've Really Got a Hold on Me - Smokey Robinson & the Miracles
1963 Fingertips (Part 2) - Little Stevie Wonder
1963 Heat Wave - Marthaa & the Vandellas
1964 Dancing in the Street - Marthaa & the Vandellas
1964 My Girl - The Temptations
1964 My Guy - Mary Wells
1964 Where Did Our Love Go - The Supremes
1964 Baby Love - The Supremes
1965 Stop! In the Name of Love - The Supremes
1965 The Tracks of My Tears - The Miracles
1965 Uptight (Everthing's Alright) - Stevie Wonder
1965 Shotgun - Junior Walker & the All Stars
1965 I Can't Help Myself (Sugar Pie Honey Bunch) - Four Tops
1966 Reach Out (I'll Be There) - Four Tops
1966 You Can't Hurry Love - The Supremes
1966 You Keep Hangin' On - The Supremes
1966 Ain't Too Proud to Beg - The Temptations
1966 What Becomes of the Broken Hearted - Jimmy Ruffin
1967 Ain't No Mountain High Enough - Marvin Gaye & Tammi Terrell
1968 I Heard It Through the Grapevine - Marvin Gaye
1968 I Heard It Through the Grapevine - Gladys Knight & The Pops
1969 I Can't Get Next to You - The Temptations
1969 Someday We'll Be Together - The Supremes
1969 I Want You Back - The Jackson 5
1970 I'll Be There - The Jackson 5
1970 ABC - The Jackson 5
1970 Ain't No Mountain High Enough - Diana Ross
1970 The Tears of a Clown - Smokey Robinson & The Miracles
1970 War - Edwin Starr
1970 Signed, Sealed, Delivered (I'm Yours) - Stevie Wonder
1971 What's Going On - Marvin Gaye
1971 Just My Imagine Running Away with Me - The Temptations
1972 Papa Was a Rolling Stone - The Temptations
1972 Superstition - Stevie Wonder
1973 You Are the Sunshine of My Life - Stevie Wonder
1973 Let's Get It On - Marvin Gaye
1976 Don't Leave Me This Way - Thelma Houston
1978 Three Times a Lady - The Commodores
1980 Upside Down - Diana Ross
1981 Super Freak - Rick James
1981 Endless Love - Lionel Richie & Diana Ross
1983 All Night Long (All Night) - Lionel Richie
1984 I Just Called to Say I Love You - Stevie Wonder
1984 Hello - Lionel Richie
1985 Say You, Say Me - Lionel Richie
1992 End of the Road - Boyz II Men
1994 I'll Make Love to You - Boyz II Men

Source:
http://davesmusicdatabase.blog....spot.com/2012/01/top

Part 2:
https://www.youtube.com/watch?v=77B5e9F-5Ik

-Similar Videos-
Top 10 Jackson 5 songs:
https://www.youtube.com/watch?v=WuWjwrT88q4

Top 20 Stevie Wonder songs:
https://www.youtube.com/watch?v=jAR2GuD0SIY

The Homes of the Legendary Motown Stars | Ultimate Detroit Motown Tour | Marvin Gaye, Stevie, & paccione .co.uk 3 Visninger • 1 år siden

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Opening song by IDL Beats can be found here https://youtu.be/CkXFChqxvqg

#motown #celebrityhouses

Above the front windows of Motown Records' Detroit headquarters was a sign that read "Hitsville U.S.A." Placed there by Motown founder Berry Gordy soon after his company moved into the modest home at 2648 W. Grand Blvd, the sign demonstrated Gordy's blazing — and at the time, unearned — arrogance. Then the slogan came true.

Founded on Jan. 12, 1959, Motown quickly became another Detroit factory; where the Big Three produced automobiles, Motown assembled the soul and pop classics that changed America. There's no hyperbole in that statement. Arriving at the height of the civil rights movement, Motown was a black-owned, black-centered business that gave white America something they just could not get enough of — joyous, sad, romantic, mad, groovin', movin' music. (See an audio slideshow of five of Motown's best tunes.)

A former boxer and automobile worker, Berry Gordy was a nascent songwriter when, at the urging of Smokey Robinson, a songwriter ten years younger than Gordy, he decided to establish Motown Records. The two had become friends years earlier and Robinson, who was the lead singer of a band called The Miracles, produced, wrote, and sang several of Motown's most memorable hits — including the labels' first smash song, "Shop Around" in 1960. A year later, "Please Mr. Postman," by The Marvelettes, was the label's first No. 1 song. It would not be the last.

Over the next decade, the sheer number of chart-topping artists, musicians, and groups produced by Motown defied comprehension: Martha and the Vandellas, Smokey Robinson and the Miracles, The Temptations, The Four Tops, Diana Ross and the Supremes, Gladys Knight and the Pips, The Jackson 5, Stevie Wonder, Marvin Gaye. All became part of what would come to be known as the Motown Sound. It is rumored that Gordy modeled his hit factory after the Detroit car assembly line that he knew so well: Make a good product, then make something similar, and make it quick. Over here were the songwriters — Robinson and the team of Eddie Holland, Lamont Dozier, and Brian Holland (Holland-Dozier, Holland, or H-D-H). Over there was the talent — Stevie Wonder, whom the label discovered when he was 11; Marvin Gaye, who wanted so much to be a jazz crooner before he came into his own in the late 60's; and, above all, Diana Ross, whom the label put its stake in early on, and who was told so many times that she was a star that she drove off one of the Supremes before quitting to launch a solo career. In a neglected corner were the session musicians the Funk Brothers, who played on God knows how many hit songs. Let's just say a lot.

Throughout the Sixties, Motown produced a catalog of songs that cannot be rivaled. "You've Really Got a Hold On Me," "Heat Wave," "Dancing in the Street," "Tracks of My Tears," "Where Did Our Love Go," "My Guy," "My Girl," "Baby Love," "Reach Out, I'll Be There," "I Can't Help Myself," "Get Ready," "Stop! In the Name of Love," "The Way You Do the Things You Do," and so on. They were simple love songs that told simple stories, often in joyously happy or heartbreakingly sad ways. And all the while Motown was the pride of Detroit and the pride of black America (though Gordy tried, with his usual bluster, to make it the "Sound of Young America," a label he began to stamp on all of the company's vinyl).

Around the time of the '67 Detroit riots, however, things changed, as they eventually had to. Gordy looked west, towards Los Angeles (how could such a large entertainment company as his not be involved in movies and television?). Dissatisfied with the increasing disconnect between the success of their work and the level of their pay, Holland-Dozier-Holland broke off from Motown. And while the Jackson 5 was on the rise, most of the rock-steady Motown acts of the early '60s were on the wane. In 1971, though, the label released what is arguably its grandest artistic statement, something not at all of a piece with its previous, poppy output. Marvin Gaye put out What's Going On, a thoughtful, socially conscious album whose title track Gordy famously called the worst song he had ever heard. A year later, Motown deserted Detroit for L.A. and Stevie Wonder turned 21, thereby taking creative control of his music. Within four years he had released Talking Book, Innervisions, and Songs in the Key of Life.