This great folk/rock song by "Simon & Garfunkel" was released in 1966 and has always been a song i have liked over the years,and its also one i like to play in the car from time to time.This duo have made some great songs but this has always been one of my favourites by them.

Provided to YouTube by Universal Music Group

You Should Be Dancing · Bee Gees

The Ultimate Bee Gees

℗ 1976 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb, under exclusive license to Capitol Music Group

Released on: 2009-11-03

Producer: Bee Gees
Producer, Co- Producer: Albhy Galuten
Producer, Co- Producer: Karl Richardson
Composer Lyricist: Barry Gibb
Composer Lyricist: Maurice Gibb
Composer Lyricist: Robin Gibb

Auto-generated by YouTube.

Provided to YouTube by Arista/Legacy

Same Script, Different Cast · Whitney Houston · Deborah Cox

Whitney The Greatest Hits

℗ 2000 Arista Records LLC

Released on: 2000-05-16

Associated Performer: Whitney Houston & Deborah Cox
Composer, Lyricist: A. Crawford
Guitar: Jay Williams
Composer, Lyricist: S. Jones
Composer, Lyricist: M. Jordan
All Instruments, Background Vocal, Vocal Arranger, Producer: Shep Crawford
Composer, Lyricist: S. Daniels
Background Vocal, Vocal Arranger: Shae Jones
Recording Engineer: Anne "Auntie Mae" Catalino
Mixing Engineer: Anne Mae Catalino
Engineer: Jamie Seyberth
Vocal Arranger: Dove Daniels

Auto-generated by YouTube.

Whitney Houston , Celine Dion , Mariah Carey Best Songs Best Of The World Divas

Dionne Warwick's 1963 "Anyone Who Had A Heart" hit the Billboard Top Ten in January 1964 and peaked at #8 on the Billboard Hot 100. The tune was a crossover smash and hit #6 on the Billboard R&B Chart and #2 on the Billboard AC Chart. The tune was also a Top 10 hit in Australia, Belgium, Canada and South Africa. Written by Burt Bacharach and Hal David, the tune was presented to Dionne in unfinished form while she, Hal and Burt were rehearsing in Burt's Manhattan apartment for a recording session a few days hence at Bell Sound. Bacharach had finished the score but Hal had written only about a third of the lyric and was struggling with what Hal regarded a bad accent in the sixth line of the first stanza, which he could not resolve. Burt played a snippet of the tune for Dionne, and she fell in love with the tune and begged Hal to finish it. Hal, according to his wonderful 1968 book "What the World Needs Now and Other Love Lyrics", went to Burt's bedroom while Burt and Dionne rehearsed in the living room and finished the lyric. The tune was recorded at Bell Sound Studios in Manhattan in November 1963, days after the assassination of JFK, in the same session as Bacharach and David's "Walk On By" and "In the Land of Make Believe". Rumor has it Warwick nailed the tune in only one take. Cilla Black, a top female recording artist in the Uk but little known outside the UK recorded a cover version released in the UK in January 1964 before Scepter licensee Pye records could release Warwick's original and Black's cover became her first number one hit in the UK. Dionne's original version, released two weeks after Cilla's in the UK did make the UK charts at #43. However, in the USA, Black's cover died at Billboard #91. Black remained relatively unknown except to fans in the UK while Warwick went on to achieve worldwide stardom. Anyone Who Had A Heart was Dionne's first international million-seller. Linda Ronstadt covered the tune in 1994 as a tribute to Warwick for the album "Winter Light." Dusty Springfield cut a cover of the tune in 1964 and both Shelby Lynne and Atomic Kitten remakes were released in 2008.
Writes Nick Tosches, the renowned writer, music journalist, novelist, biographer and poet in the January 7, 1972 issue of the rock magazine FUSION; ".getting into Dionne Warwick is like finding buried treasure. The Bacharach/David repertoire which milady chooses to sing is so fascinatingly cynical / fatalistic / stoical / emotional / happy, simultaneously! It's pure emotion. There is a whole lot more to emotion than some rock punk bursting his dexedrine-staved blood vessels by screaming "Baby I need you baby" into a microphone. Dionne Warwick is not a rock and roll singer. She's not a jazz singer either. Rhythm and blues? Nope. A pop singer? No way. Did you ever tongue-kiss with someone who barfed a Singapore Sling bolus into your mouth, and then four years later you're with someone else and you feel good and you realize how beautiful it all was and then it's all melancholy/happiness, sort of? That's the kind of singer Dionne Warwick is. She's beautiful. Dionne, paired with Bacharach's string/horn/reed arrangements, comes up as a lyric mezzo-sopranoid par-excellence, melodious/expressiveness-wise. If you've never gotten into her, you ought to. Get hep to Dionne Warwick. For your own sake."

Provided to YouTube by Arista

Heartbreaker · Dionne Warwick

The Definitive Collection

℗ 1982 Arista Records LLC

Released on: 1999-04-01

Composer, Lyricist, Producer: Barry Gibb
Producer: Albhy Galuten
Mastering Engineer: James P. Nichols
Composer, Lyricist: Maurice Gibb
Composer, Lyricist: Robin Gibb

Auto-generated by YouTube.

Provided to YouTube by Rhino/Warner Records

Then Came You · Dionne Warwick

Then Came You

℗ 1975 Warner Records Inc.

Vocals: Dionne Warwick
Writer: Philip Pugh
Writer: Sherman Marshall

Auto-generated by YouTube.

UK hit 1971 peaked at No.1, 14 weeks on chart

Re issue 1976 peaked at No.41, 4 weeks on chart
Remix 1990 peaked at No.21, 6 weeks on chart

The Supremes was an American female singing group and the premier act of Motown Records during the 1960s. Originally founded as the Primettes in Detroit, Michigan, in 1959, the Supremes' repertoire included doo-wop, pop, soul, Broadway show tunes, psychedelic soul, and disco. They were the most commercially successful of Motown's acts and are, to date, America's most successful vocal group with 12 number one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland--Dozier--Holland. At their peak in the mid-1960s, the Supremes rivaled the Beatles in worldwide popularity, and their success made it possible for future African American R&B and soul musicians to find mainstream success.
Founding members Florence Ballard, Mary Wilson, Diana Ross, and Betty McGlown, all from the Brewster-Douglass public housing project in Detroit, formed the Primettes as the sister act to the Primes (with Paul Williams and Eddie Kendricks, who went on to form the Temptations). Barbara Martin replaced McGlown in 1960, and the group signed with Motown the following year as the Supremes. Martin left the act in early 1962, and Ross, Ballard, and Wilson carried on as a trio.
During the mid-1960s, the Supremes achieved mainstream success with Ross as lead singer. In 1967, Motown president Berry Gordy renamed the group Diana Ross & the Supremes, and replaced Ballard with Cindy Birdsong. Ross left to pursue a solo career in 1970 and was replaced by Jean Terrell, at which point the group's name reverted to the Supremes. After 1972, the lineup changed more frequently; Lynda Laurence, Scherrie Payne, and Susaye Greene all became members of the group during the mid-1970s. The Supremes disbanded in 1977 after an 18-year run.

From Recital Of The Script, the song which has allowed Marillion to skyrocket among the progressive bands back in the 80's. A Personal Favorite, which is greatly interpreted by Fish.

Marillion - Script For A Jester's Tear track n.1 of the album "Script For A Jester's Tear" (1983)
- Fish / vocals
- Mark Kelly / keyboards
- Mick Pointer / drums, percussion
- Steve Rothery / acoustic & electric guitars
- Pete Trewavas / bass

Nice to see Fish at the Marquee. I love the subtitles near the start...

Content courtesy of RK

Apresentação da banda Pearl Jam em 1991 no MTV Acústico tocando a música Black