#remix #music #dj

"More Than a Woman" is a disco song by the British group Bee Gees. It was written by Barry, Robin and Maurice Gibb for the soundtrack to the film Saturday Night Fever starring John Travolta. It became a regular feature of the group's live sets from 1997 until Maurice Gibb's death in 2003, and was often coupled with "Night Fever".

The Bee Gees started to record it in from February to March 1977 in Le Château, Hérouville in France, continued it in Criteria Studios in Miami in April, and later in September, the song was finished in Cherokee Studios, Los Angeles.

The soundtrack includes two versions — one by the Bee Gees and the other by Tavares. Both versions are featured in the film as well. The song has been recorded and performed by various artists but in different forms. The Bee Gees did not release this song as a single (though in Italy it peaked at No. 4 in September 1978 and even peaked at #39 in Billboard Easy Listening Charts), yet it has remained a staple on radio and one of their best known songs. An abridged live version of the song performed by the Bee Gees in 1997 is available on both the DVD and CD versions of One Night Only.

The song has also been included on Bee Gees compilations such as Tales from the Brothers Gibb and Their Greatest Hits: The Record. The very first British pressings of Their Greatest Hits: The Record featured the song with a mastering fault, with the audio noticeably dipping to the right briefly during the first verse. This was corrected after several thousand copies had been distributed.

Saturday Night Fever is a 1977 American dance film directed by John Badham and starring John Travolta as Tony Manero, an emotionally immature young man whose weekends are spent visiting a local Brooklyn discotheque; Karen Lynn Gorney as Stephanie Mangano, his dance partner and eventual friend; and Donna Pescow as Annette, Tony's former dance partner and would-be girlfriend. While in the disco, Tony is the king. His care-free youth and weekend dancing help him to temporarily forget the reality of his life: a dead-end job, clashes with his unsupportive and squabbling parents, racial tensions in the local community, and his associations with a gang of macho friends.

The Bee Gees were a pop music group that was formed in 1958. The group's line-up consisted of brothers Barry, Robin and Maurice Gibb. The trio were successful for most of their decades of recording music, but they had two distinct periods of exceptional success: as a rock act in the late 1960s and early 1970s, and as prominent performers of the disco music era in the late 1970s. The group sang recognisable three-part tight harmonies; Robin's clear vibrato lead vocals were a hallmark of their earlier hits, while Barry's R&B falsetto became their signature sound during the late 1970s and 1980s. They wrote all of their own hits, as well as writing and producing several major hits for other artists.

Musician includes Maurice Gibb (bass guitar); Dennis Bryson (drums); Alan Kendall, Barry Gibb (guitar); Blue Weaver (keyboards); Joe Lala (percussion); Albhy Galuten, Bee Gees, Karl Richardson (producers); Barry Gibb, Maurice Gibb, Robin Gibb (vocals).

Oh, girl I've known you very well
I've seen you growing everyday
I never really looked before
But now you take my breath away

Suddenly you're in my life
Part of everything I do
You got me working day and night
Just trying to keep a hold on you

Here in your arms I found my paradise
My only chance for happiness
And if I lose you now I think I would die
Oh say you'll always be my baby
We can make it shine
We can take forever just a minute at a time

More than a woman
More than a woman to me
More than a woman
More than a woman to me

There are stories old and true
Of people so in love like you and me
And I can see myself
Let history repeat itself

Reflecting how I feel for you
Thinking about those people then
I know that in a thousand years
I'd fall in love with you again

This is the only way that we should fly
This is the only way to go
And if I lose your love I know I would die
Oh say you'll always be my baby
We can make it shine
We can take forever just a minute at a time

More than a woman
More than a woman to me
More than a woman
More than a woman to me

More than a woman
More than a woman to me
More than a woman
More than a woman to me

More than a woman
More than a woman to me
More than a woman
More than a woman to me

More than a woman

Bellísima interpretación EN VIVO y a duo de Dionne Warwich y Jon Secada en la gala de La Musa Awards 2015.

All Rights Reserved Latin Songwriters Hall Of Fame / LA MUSA AWARDS 2015


@DionneWarwickOfficial @JONSECADAYOUTUBE

Dionne Warwick - Live Australia Full Concert 1989

He knows, you know, he knows, you know
Problems, problems, problems, problems

Light switch, yellow fever, crawling up your bathroom wall
Singing psychedelic praises to the depths of a china bowl
Youve got venom in your stomach, youve got poison in your head
You should have listened to the priest at the confession
When he offered you the sacred bread

He knows, you know, he knows, you know, he knows, you know
But hes got problems

Fast feed, crystal fever, swarming through a fractured mind
Chilling needles freeze emotion, the blind shall lead the blind
Youve got venom in you stomach, youve got poison in your head
When your conscience whispered, the vein lines stiffened
You were walking with the dead

He knows, you know, he knows, you know, he knows, you know
Hes got experience
Hes got experience, he knows, you know
But hes got problems
Problems, problems, problems, problems, problems, problems.

He knows...
Slash wrist, scarlet fever, crawled under your bathroom door
Pumping arteries ooze the problem, through the gap that the razor tore
Youve got venom in your stomach, youve got poison in your head
You should have listened to your analyst questions when yo lay on his leather bed

He knows, you know, he knows, you know, he knows, you know
But hes got problems

Blank eyes, purple fever, streaming through the frosted pane
You learned your lesson far to late from the links in a chemist chain
Youve got venom in your stomach, youve got poison in your head
You should have stayed at home and talked with father
Listen to the lies he fed

He knows, you know, he knows, you know, he knows, you know
But hes got problems
He knows, you know, he knows, you know, he knows, you know
Hes got experience
Hes got experience, he knows, you know
He knows, you know, you know, you know
You know, you know, you know, you know

Problems, problems, problems, problems, problems, problems
Dont give me your problems

What a year it’s been.

This time last year Australia was heading into its first recession and deepest recession in decades.

Yet last week the Australian Bureau of Statistics confirmed the strength of Australia’s economic rebound. It was the fastest economic recovery from a recession in 45 years.

In fact, we are one of only three countries where our economy is ahead of where it was at the beginning of the coronavirus pandemic, but today can race and I unpack the statistics and explain what’s going on – the truth behind Australia’s economic recovery.

But don’t worry if you’re not into economics, my chat today with Ken Raiss, Australia’s leading property tax strategist, will be in plain English and we’ll unpack what’s going on so you understand what’s ahead- both the good and some of the headwinds that may slow us down, so that you’ll be able to make a better-informed investment, and financial, and business decisions.

What you’ll be hearing today is a portion of a private webinar we conducted for the attendees of Wealth Retreat to give them some insight before they join us, and while you won’t be able to see the slides, I’m sure our description will be sufficient for you to get benefit from our chat.

Australia’s impressive economic recovery from the COVID-19 recession was confirmed with the strong 1.8 percent rise in March quarter GDP.

This followed unprecedented growth of 3.2 percent in the December quarter and 3.5 percent in the September quarter of 2020.

Our economic output is now higher than it was before the COVID-19 recession hit, with easy monetary policy, booming commodity prices, demand for resources from the rampant Chinese economy, and fiscal policy stimulus all playing a part.

Back in the first three months of this year when we had JobKeeper, enhanced unemployment benefits, and no lockdowns and Australia roared out of recession.

The GDP figures released at the beginning of June, which were for the first quarter of the year up til the end of March were for the months leading up to the end of JobKeeper.

Australians spent, earned, and produced an impressive 1.8%  more than in three months to December, which was itself more 3.2% more than the three months to September, which was itself 3.5% more than the three months before that.

Our growth of more than 8% was the most over three quarters since 1968.

But it followed a collapse in gross domestic product of 7% – by far the worst since the Bureau of Statistics began compiling records in 1959.

The net result over the year to March growth of 1.1%, an extraordinary result which means that, at least until Victoria’s (just extended) lockdown, we were producing, earning, and spending more than before the COVID recession.

I today’s podcast Ken and I discuss:

• what GDP is and why so much fuss is made about it
• Why I think that having a single overriding ‘economic’ health measure such as GDP is flawed
• What’s happening to unemployment, job growth, business, and private expenditure.

Here are 7 reasons to be optimistic about the future.

• Covid vaccines will help in underpinning reopening and recovery
• Global growth is recovering rapidly — driven by vaccines enabling reopening, monetary and fiscal stimulus, and pent-up demand.
• Growth in consumer spending is well supported
• Dwelling investment will provide a strong contribution to growth — the surge in building approvals points to more upside in housing construction this year.
• Business investment is strengthening - — investment plans for the next financial year are up nearly 15% on plans for a year ago which is consistent with high levels of business confidence, excess corporate cash, and the instant asset write-off tax break.
• Fiscal stimulus will continue
• Monetary policy will remain easy
However, there are some headwinds.

Economic growth should continue this year and then could slow next year as some headwinds are revealed, the effects of the fiscal measures start to fade, and the housing market slows down a little.

• further coronavirus outbreaks
• economic ramifications of the international border closure,
• the potential for further lockdowns due to the slow vaccine rollout, and
• the geopolitical risks emanating from Australia’s “strained” relationship with China.

Please sign up for USA updates here - tommyinusa.com

In this candid and surprisingly humorous encounter in the United States, Tommy Robinson and Russell Brand bridge a massive ideological divide to discuss the forces they believe are dismantling modern society. Moving past their historical friction, the two find common ground in their shared distrust of unelected globalist elites, the "dark" side of Hollywood, and the perceived betrayal of the working class by modern labour unions. From Robinson’s "journalist visa" journey through America to Brand’s reflections on his transition from left-wing activist to a target of "public opinion" trials, this teaser previews a deep-dive conversation into Big Pharma, mass migration, and the search for a unified populist voice in an era of intense censorship.