Founded by J.T. Carter, the group included Talmadge "Tommy" Gough (1939-2014), Harold "Chico" Torres (deceased) and Patricia Van Dross (1943-1993) (older sister of R&B singer Luther Vandross). Carter selected vocalist Johnny Mastrangelo (1939-2010) (shortened to Johnny Mastro and later to Johnny Maestro) as lead vocalist.

The Crests were discovered in 1956 while singing in the New York City Subway by the wife of orchestra leader Al Browne. Browne connected the group with Joyce Records where they recorded their first two songs, "My Juanita" and "Sweetest One".

In 1957, they charted with their first release, "Sweetest One", on Joyce Records.

After recording two more singles for Joyce Records, Patricia Van Dross left The Crests in 1958 to finish her education.

Their next single after "16 Candles" on COED Records was "Six Nights A Week" which hit #28 on the Billboard Hot 100 Charts and #17 on the R&B. Their next release "Flower Of Love" was bland compared to other Crests cuts and attained only a six-week run-up to #79.

From 1958 to 1960 the group was almost always on the road. In the late 1950s, The Crests performed on several national teen dance television shows, including American Bandstand and The Dick Clark Show. They appeared seven times on the latter.

In 1961, The Crests recorded a new single, "Little Miracles", with Tony Middleton, lead singer of The Willows, singing lead; it was their first single not to chart in the Top 100. Gough quit the group after the single, moving to Detroit, to work for auto giant General Motors, and was replaced by Gary "Kit" Lewis (not to be confused with Gary Lewis of Gary Lewis & the Playboys fame).

Maestro recorded with other backup singers under the name "Johnny Maestro & The Crests", producing a single for United Artists in 1962, two singles for Cameo Records in 1963-64, a single for APT Records in 1965, a single for Scepter Records in 1965, and three singles for the Parkway label in 1966.

James Ancrum then took over the lead, recording "Guilty" in January 1962 and charting only to #123. The group went back to touring when their 1963 Selma side "Did I Remember?" flopped. A 1964 sequel to "16 Candles", "You Blew Out The Candles", also was not successful.

The Crests - Paper Crown

DES from a mono recording.
The Crests were an American doo-wop group formed by bass vocalist J.T. Carter in the mid-1950s. On Coed Records, the group had several Top 40 hits in the late 1950s and early 1960s. Their most popular song, "16 Candles", rose to #2 on the Billboard Hot 100 chart in February 1959, selling over one million copies and earning a gold disc status. The group's other hits include "Step By Step," "The Angels Listened In," "Trouble In Paradise," "Six Nights A Week," and "A Year Ago Tonight." The Crests were one of the earliest racially mixed doo-wop groups, consisting of three African American members (one female), one Puerto Rican, and one Italian American.

Doo Wop

What a sweet song this is, I can remember my parents dancing so slowly in our living room to this one, I suppose that's when and where I learned to love it too, I hope you do to, enjoy, Dave :)

Doo Wop

Lack'n'Roll
50s & 60s Music

The Crests featuring Tommy Mara performing at the Savannah Center in The Villages FL Aug 23, 2011 singing "The Angels Listened In"

It Must Be Love ....... It Most Definitely IS Love.!!!

The Crests
Formed in New York City, USA, in 1956, the Crests soon became one of the most successful of the 'integrated' doo-wop groups of the period, after being discovered by Al Browne. Headed by the lead tenor of Johnny Mastro (Johnny Mastrangelo, 7 May 1930, USA), the rest of the band comprised Harold Torres, Talmadge Gough, J.T. Carter and Patricia Van Dross. By 1957 they were recording for Joyce Records and achieved their first minor pop hit with 'Sweetest One'. Moving to the new Coed label, the Crests (without Van Dross) recorded their signature tune and one of doo-wop's enduring classics, '16 Candles', a heartfelt and beautifully orchestrated ballad. It became a national pop hit at number 2 in the Billboard charts, paving the way for further R&B and pop successes such as 'Six Nights A Week', 'The Angels Listened In' and 'Step By Step'. At this time the band was almost permanently on the road. Following 'Trouble In Paradise' in 1960, the band's final two chart singles would be credited to The Crests featuring Johnny Mastro. However, this was evidently not enough to satisfy their label, Coed, whose priority now was to launch the singer as a solo artist. Mastro's decision to go solo in 1960 (subsequently calling himself Johnny Maestro) weakened the band, although they did continue with James Ancrum in his stead. Their former vocalist made the charts with 'Model Girl', still for Coed, in the following year, before re-emerging as leader of Brooklyn Bridge, an 11-piece doo-wop group who are best remembered for their 1968 single 'The Worst That Could Happen'. After 'Little Miracles' failed to break the Billboard Top 100 (the first such failure for the Crests in 10 singles), Gough moved to Detroit and a job with General Motors. He was replaced by Gary Lewis. However, the Crests were now entangled in legal disputes with Coed over the ownership of their name. They eventually moved to Selma, although the songs made available to the group were now of significantly inferior quality, including 'You Blew Out The Candles', a blatant attempt to revisit the success of '16 Candles'. The band continued to tour throughout the 60s, though Torres had left to become a jeweller, leaving a core of Carter, Lewis and Ancrum. Later line-ups were organized by Carter for lounge sessions (although there are no recordings from this period), and in June 1987 the original line-up (minus Van Dross) was re-formed for a show in Peepskill, New York.
THURSDAY, MARCH 25, 2010, 10:51 AM
Johnny Maestro, Crests and Brooklyn Bridge singer, dies at age 70 of cancer. (RIP)

East Side Story Vol. 3

Eagles - "The Last Resort" slideshow with lyrics on screen & in description. This song is really a history lesson. I've created this slideshow using images of beautiful American fine art, historic photographs and colorful high quality current scenic photographs.

"The Last Resort" is a song written by Don Henley and Glenn Frey. It was originally released on the Eagles' album Hotel California on December 8. 1976.[1] It was subsequently released as the B-side of "Life in the Fast Lane" single on May 3, 1977.

n a 1978 interview with Rolling Stone, Henley said: "'The Last Resort', on Hotel California, is still one of my favorite songs... That's because I care more about the environment than about writing songs about drugs or love affairs or excesses of any kind. The gist of the song was that when we find something good, we destroy it by our presence — by the very fact that man is the only animal on earth that is capable of destroying his environment. The environment is the reason I got into politics: to try to do something about what I saw as the complete destruction of most of the resources that we have left. We have mortgaged our future for gain and greed." (From Wikipedia, the free encyclopedia)

The song reflects on the Westward Expansion in America, with the hardship, bloodshed, greed and destruction of natural resources and wildlife that came with the settling of the West. Americans felt it was their destiny to claim the land and own the frontier from the Atlantic to the Pacific oceans. California was the last frontier. Ironically, the song says, "We can leave it all behind and sail to Lahaina", which is a town on the Hawaiian Island of Maui. Don Henley wrote the lyrics, which tell the epic story employing sarcasm and criticism.


Lyrics for Eagles, "The Last Resort":

"The Last Resort"

She came from Providence,
the one in Rhode Island
Where the old world shadows hang
heavy in the air
She packed her hopes and dreams
like a refugee
Just as her father came across the sea

She heard about a place people were smilin'
They spoke about the red man's way,
and how they loved the land
And they came from everywhere
to the Great Divide
Seeking a place to stand
or a place to hide

Down in the crowded bars,
out for a good time,
Can't wait to tell you all,
what it's like up there
And they called it paradise
I don't know why
Somebody laid the mountains low
while the town got high

Then the chilly winds blew down
Across the desert
through the canyons of the coast, to
the Malibu
Where the pretty people play,
hungry for power
to light their neon way
and give them things to do

Some rich men came and raped the land,
Nobody caught 'em
Put up a bunch of ugly boxes, and Jesus,
people bought 'em
And they called it paradise
The place to be
They watched the hazy sun, sinking in the sea

You can leave it all behind
and sail to Lahaina
just like the missionaries did, so many years ago
They even brought a neon sign: "Jesus is coming"
Brought the white man's burden down
Brought the white man's reign

Who will provide the grand design?
What is yours and what is mine?
'Cause there is no more new frontier
We have got to make it here

We satisfy our endless needs and
justify our bloody deeds,
in the name of destiny and the name
of God

And you can see them there,
On Sunday morning
They stand up and sing about
what it's like up there
They call it paradise
I don't know why
You call someplace paradise,
kiss it goodbye

THE USE OF ANY COPYRIGHTED MATERIAL IS USED UNDER THE GUIDELINES OF "FAIR USE" IN TITLE 17 § 107 OF THE UNITED STATES CODE. SUCH MATERIAL REMAINS THE COPYRIGHT OF THE ORIGINAL HOLDER AND IS USED HERE FOR THE PURPOSES OF EDUCATION, COMPARISON, AND CRITICISM ONLY. NO INFRINGEMENT OF COPYRIGHT IS INTENDED.

Provided to YouTube by Rhino/Elektra

Wasted Time (2013 Remaster) · Eagles

Legacy

℗ 1976 Asylum

Engineer: Allan Blazek
Remastering Engineer: Bernie Grundman
Mixing Engineer: Bill Szymczyk
Producer: Bill Szymczyk
Engineer: Bruce Hensal
Electric Guitar: Don Felder
Backing Vocals: Don Felder
Drums: Don Henley
Lead Vocals: Don Henley
Backing Vocals: Don Henley
Engineer: Ed Mashal
Piano: Glenn Frey
Backing Vocals: Glenn Frey
String Arranger: Jim Ed Norman
Conductor: Jim Ed Norman
Organ: Joe Walsh
Backing Vocals: Joe Walsh
Bass Guitar: Randy Meisner
Backing Vocals: Randy Meisner
Concert Master Conductor: Sid Sharp
Writer: Don Henley
Writer: Glenn Frey

Auto-generated by YouTube.

Chanel "Music hot" is a great channel for lovers of old music and love stories. This channel brings classical, romantic music with a unique Filipino style. Carefully selected music, performed by famous Filipino artists, brings emotional and beautiful melodies.

- ENjOY TEQUiLA SUNRiSE
- lyrics on the screen
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